Maruyama okyo biography of barack

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Ōkyo soon mastered the techniques of drawing stereoscope images (megane-e, eyeglass pictures).

Ōkyo decided to pursue a career as an artist. He was the founder of the Maruyama school, which continued in the Kyoto art circles up to the modern period. The work thus shows Ōkyo's ability to render the natural elements in a convincingly realistic fashion.

Bird, fish, and stone all appear as they do in nature, creating a matter-of-fact, comprehensible, and natural-looking piece. Although his boyhood is not known well, he went to Kyoto from his late teens and became a disciple of Yutei ISHIDA, a painter of the Tsurusawa school belonging to Tanyu KANO. Nature was not his only subject; many works by Ōkyo depict normal scenes from life in Kyoto's commercial area.

His Geese Alighting on Water, painted at Enman'in, Ōtsu in 1767, is an early example of his mature style.

On two eightfold screens it depicts a tree and a cluster of rocks with some dragons. They found it to be overly concerned with physical appearances, alleging that he was too beholden to the real world and produced undignified works. Nevertheless, his style proved popular with the public, and commissions came in to do Western-style landscapes, decorative screens, and nudes.

Okyo paintings were popular among the rich townspeople including the Mitsui family due to his great art of drawing and simple and friendly painting style. That year, the Maruyama school took a commission to paint screens for Daijō-ji. However, Ōkyo did not like the artist's treatment of proportion, preferring the works of Watanabe Shikō.

He was born in 1733 in Ano Village, Kuwata District, Tanba Province (currently Kameoka City, Kyoto Prefecture) as the second son of a farmer. Moreover, a set of pictures on partitions at the Daijo-ji Temple in Hyogo and Kongo-ji Temple in his hometown Ano can also be counted as one of his representative works.

Once the work was completed, the ghost image came off the painting and flew away.

Success prompted Ōkyo to start a school in Kyoto, where he could teach his new style. In fact, the "kyo" in Ōkyo's name was adopted in tribute to Ch'ien Hsüan. According to "Banshi" written by Yujo, as described above, it seems that Okyo always secretly carried his sketchbook with him and devoted every spare moment to sketching.

Yujo was from the Nijo family of court nobles, and he became a priest and disciple of a monzeki temple (a temple of high rank where members of imperial family and nobility enter the priesthood) and left a book called "Banshi" which kept a record of quotidian matters, in which Okyo's speech and behavior is described in detail and is regarded as a valuable record of the same period.