Kayode fashola biography of alberta
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He was nicknamed 'The Prayerful Singer'. 1
Legacy & Artistic Significance
Kayode Fashola’s oeuvre represents a cultural bridge: a musician firmly grounded in Yoruba traditions while navigating the Juju boom of the 1970s.
Aja To nlepa Ekun
10. Beyond the group, he is linked congregationally with the traditions of Juju pioneers such as Ayinde Bakare,I.K. Oba To Mo Ohun Gbogbo
6. His artistic journey—from village rhythms to a dedicated Juju bandleader—demonstrates how traditional culture can shape modern expression. 2 (1972), featuring tracks like Bi Pepeiye Jokuta / Abiamo Mo Yo Fun O, Semi‑Semi Olatunji, Ikawo Olaso, andEje Ka Sora / Kinni Mo Se?
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(1974), which includes Egbe Music Makers / Agbajo Owo Lafinso’ya / Oju Gboro, Igi Da / Inu Ole O Dun / Gbogbo Oku, and Eje Ka Sora / Bi Mo Ba Ni’yawoHis father was a chief warrior, and his mother worked as a trader in the local community, providing him with tangible roots in traditional Yoruba society and cultural expressions.
Education & Musical Influences
From early childhood, Fashola developed a passion for village music festivals and communal musical games.
His musical sound evolved from the early days. His friend Witness Bakare was accused of his murder but was later released.
Popular Tracks
1. Olugbohun
8. His career began with Moses Olaiya's Federal Rhythm Dandies, a highlife band. Sadly, Fashola passed away on July 8, 1983, under mysterious circumstances, reportedly due to drink poisoning, though there was controversy surrounding his death.
Dairo, Ebenezer Obey,
and Haruna Ishola as part of the Yoruba Juju legacy .Personal Life
Very few public details exist regarding Fashola’s private personal life. His peaceful stage presence, melodic restraint, and spiritually resonant lyrics made him a unique figure among Juju acts .
Artistic Evolution & Cultural Impact
Fashola remained committed to a traditional Juju philosophy, resisting extravagant instrumentation or electronic embellishment.
His emphasis on simplicity, spiritual storytelling, and rhythmic depth contrasts with more flamboyant contemporaries—making his recordings an important reference point for ethnomusicologists and Juju purists alike.
Though he recorded only a handful of albums before his premature death, his songs—such as Ranti Omo Eni Ti Iwo N’se and Bi Pepeiye Ba Jokuta—remain well‑liked by collectors and Juju enthusiasts, featured in reissues and streaming platforms.
His father was a chief warrior, while his mother was a trader.
Kayode Fashola shew love for music right from his childhood years, involving in village music festivals and friendly musical games. For fans, musicians, and historians, studying his work offers insight into the spiritual, cultural, and musical roots of Juju—and the power of music as quietly transformative, thoughtfully crafted, and deeply meaningful.
Kayode Fashola
Kayode Fashola, born on March 13, 1942, in Ijebu Igbo, Nigeria, was a prominent Nigerian singer-songwriter and guitarist, particularly known for his contributions to the jùjú music genre.