Ryo ohwada biography of abraham

Tokyo: Bacchus - The Eye of Photography Magazine

https://loeildelaphotographie.com/en/tokyo-bacchus-ryo-ohwada-olivier-jung/

Born in 1978 in Sendai, Ryo Ohwada studied photography and art at Tokyo Polytechnic University.

1978. However, I found a goal, or rather a light, that I could approach a little: to make prints. 1978. I would like to think that I have come a little closer to him, just in terms of my passion for photography.

This year (2024), on September 16, Mr. Eikoh Hosoe passed away. Looking through the telephoto lens in the viewfinder was convincing enough to make me feel as if I was already a photographer.

If that was the moment when I first became aware of artistic expression, it has been about 25 years since I began to pursue photography.

In his “Photographic Art Studies" class, he would always bring original prints by various artists and give us explanations about them.



Pigeons resting in the warm sunlight on the riverbank where I used to play every day as a child. I used to take a lot of landscape photos. [email protected] fapa.jp/fair-2018/ Daikanyama Photo Fair 2017. At matthughesphoto.com you will find all the information about Ryo Ohwada Photography and much more about photography.




One Fine Art | artists - photographers / Ryo Ohwada

https://www.onefineart.com/artists/photographers/Ryo-Ohwada

Ryo Ohwada Photographer .

As one of his many descendants, I would like to pass on something I inherited from him to students who aspire to become photographers. “This is the oldest photograph I own,” he said, showing us a print that was so faded that it looked as if the image might disappear at any moment, hovering vaguely in the dimly lit classroom. Although I have mostly used larger cameras and SLR cameras for my work and projects, the GR has always been my camera of choice for snapshots and daily captures.

Those photographs are literally the afterimages and memories of my own life. I recorded my responses to the world in a direct manner.

After switching to digital, I back up the data from the memory card to my PC about once every few months, when I have taken about 1,000 to 2,000 shots, and scan through the photos I have taken.

I would say that the GR has at least continued to be an extension of my vision, or to put it a little bluntly, it has been incorporated as one of the devices that make up my being.

During the movie shoot, I had to walk around Shibuya with the GR always in my hand, with the purpose of taking pictures with it, which I had not done for so long.

Some of them look like studies for some kind of work, such as a crushed can, a cloud in the sky, a Buddha's hand, or a plant taken in macro mode, while others are daily captures of the back of my daughter with chickenpox, a newly changed bicycle saddle or a friend's smiling face with a huge beer mug in his hand, or a series of images with subtly different compositions for teaching intern students at college.