William addison dwiggins designs to draw

Home / General Biography Information / William addison dwiggins designs to draw

From 1947 until 1956, she and Dwiggins operated a joint private press, Püterschein-Hingham.

william addison dwiggins designs to draw

He studied in Chicago at the Frank Holme School of Illustration, where he was influenced, among others, by typographer Frederic W. Goudy.


.

This invitation to a preview of a memorial exhibition of the work of W.A. Dwiggins sponsored by the American Institute of Graphic Arts in 1957, was designed by Charles E.

Skaggs. The tiny design elements were cut in celluloid or acetate and then combined to decorate bindings and book jackets.

Return to Skaggs Exhibition home | Next Case: Dwiggins & Skaggs' Work

Terms of Use

  
The design from the case reappeared in 1987 on the cover of Fine Print.

1920

This paper sample book contains specimens of various papers made by the S.D. Warren Company, each with an image printed on it using various processes (line cut, halftone, etc.). The materials range from original drawings to both business and personal designs.

Dates

Creator

Conditions Governing Access

The materials are open for research.

Conditions Governing Use

Copyright has not been transferred to Yale University.

Immediate Source of Acquisition

Gift of Ruth E.

Adomeit, 1994, and collected by Arts of the Book Collection curators.

Arrangement

Organized into two series: I. Design Examples. Goudy himself was a resident at the time, and Dwiggins remained in Hingham until his death in 1956. His calligraphy�often only a word or two on a title page�was always music for the eye, and as American and timeless as Gershwin or Copeland."

--Charles Skaggs

Tales

Edgar Allan Poe
Chicago: The Lakeside Press, 1930

This edition of Poe�s stories was designed and illustrated by W.A.

Dwiggins. https://archives.yale.edu/repositories/5/resources/349 Accessed December 31, 2025.

W. A. Dwiggins Collection

Skip to main content

 Collection

Call Number: AOB 67

Scope and Contents

The W.

A. Dwiggins Collection contains examples of graphic design by William Addison Dwiggins, who worked from the early to mid-20th century. Oxford Art Online. As dean of American book arts, Dwiggins for decades deftly juggled visual ideas and techniques with results that transformed the physique of the book � A calligraphic sense permeated most all that he touched�illustration, ornament, typefaces, title pages, and bindings.

A. Dwiggins Collection, Robert B. Haas Family Arts Library, Yale University.

Cite Item Description

W. Accessed 23 Nov. 2010, http://www.oxfordartonline.com/subscriber/article/grove/art/T098010.

Finding Aid & Administrative Information

Title
Guide to the W.

A. Dwiggins Collection

Author
Compiled by Jae Rossman
Date
2008
Description rules
Describing Archives: A Content Standard
Language of description note
Finding aid written in English. If I could contrive ominous shapes here and there�shapes that hinted at strange mental states and let the reader (out of the corner of his eye) glimpse extraordinary dooms impending�that would help."


Dwiggins� illustrations were printed in shades of gray.

She lived with and cared for Dwiggins and his wife Mabel from 1947 until 1968, and continued to promote Dwiggins� life�s work for decades after his death in 1956. In it, Dwiggins is described as �calligrapher, type designer, layout artist, illustrator, book designer, mural painter, sculptor, playwright, puppeteer, costume-designer, satirist, thinker, poet in prose.�


Marionette in Motion
The Püterschein system diagrammed


described by W.A.

Dwiggins
Detroit: Puppetry Imprints, 1939


This work of Dwiggins on the construction of marionettes is written and illustrated by him. The title-page is also shown here.

Warren's Standard Printing Papers


S.

D. Warren Company
Boston: S. D. Warren Company, c.

Suggest a Correction

Cite Item

W. The text reproduces his own lettering, including additions which give the pages the look of a private journal. This issue included several articles about Dwiggins. The chapter headings are in Dwiggins� recognizable stenciled style, as is the cover paper.

Dorothy Abbé designed the cover using Dwiggins� ornaments and his stencil alphabet. A. Dwiggins Collection, Robert B. Haas Family Arts Library, Yale University.