Voyages lointains sonia delaunay biography
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Sonia was one of the primary propagators of Orphism (a movement founded by her husband Robert), a theory wedding color to form in order to achieve visual intensity on the surface of the canvas. Delaunay captures the visual rhythm created by the moving or shifting of colors, as well as their interplay across the canvas. Delaunay s use of vibrant shapes and colors imparts a decorative style that exudes a warm, nostalgic ambiance, akin to perusing an album filled with memories from distant voyages.
Details:
Artist: Sonia Delaunay
Title: Voyages Lointains
Date: 1937
Medium: Print
Dimensions: 110 x 35 cm
Condition Report: Overall good condition
Note: Signed and dated in the lower right corner.
The name, title, and date appear in the lower center.
Description:
Voyages Lointains invites viewers to embark on a visual journey that evokes emotions and reflections on memory. The rectangular shapes diminish the fluidity of the circular shapes. When she was confident that this goal had been met she finally began to focus on her own art, concentrating primarily on painting with a series of gouaches in the 1950s called Rhythme coloré.
The dress is created by sewing together oddly shaped pieces of fabric in non-uniform size and color. Layers of semi-circle arcs are unevenly positioned one beside the other, forming a line of disjointed circles along a central axis. Twelve feet long, this painting was the largest of four versions and the first work exploring contrasting colors (blues and oranges, for example, placed side by side for maximum intensity) on such a large-scale.
The two were to become one of the art world's most important partnerships, co-founding Orphism, a variation of Cubist art composed of abstract forms of vibrant color.
Although Delaunay's early work was in the field of painting, the creation of a patchwork quilt for her son instigated an entirely different direction to her work.
The planned print run of 150 copies was purposefully meant to reach 300 feet high (if all copies are connected end-to-end) - the height of the Eiffel Tower.
1914
Prismes électriques (Electric Prisms)
A celebration of color, Sonia Delaunay's painting Prismes électriques is focused around two large overlapping circles created by arcs or curved forms of primary and secondary colors placed one beside the other.
In fact, she boldly applied this expressive technique to areas in which artistic exploration was formerly not noted, such as the world of fashion and home décor.
Delaunay exhibited this work in the air travel pavilion alongside others she prepared on the same theme. She and her husband collaborated on extensive murals for the 1937 Paris Exposition. It was Uhde that introduced her to her future husband Robert Delaunay. The following year she opened a design and fashion shop known as Casa Sonia.
Delaunay extended the visual exploration of this theory to a range of fields beyond painting, developing an entire career in textile design.
Accomplishments
- By matching primary and secondary colors (red with green, yellow with purple, and blue with orange) to create a kind of visual vibration, Robert Dulaunay developed a new type of expressive, abstract paintings.
Even after Robert Delaunay s passing in 1941, Sonia continued her work as a painter and designer, with her contributions being celebrated through retrospectives in major museums worldwide. Delaunay's colors are earth tones as well as primaries. This light cotton fabric pattern is composed of overlapping oblong shapes of varying widths in shades of blue and green, broken up here and there with a pale yellow.