Trenton doyle hancocks mounds

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Loid is kind of a father type of an energy, and he takes care of any time there are words within the paintings—that’s his doing. I sometimes painted, but I didn’t understand that it was a lifestyle. And that type of experience also spills over into how you live the rest of your life. As a young Black student of the arts, this was all very freeing.

And I just thought that was a wonderful story, growing up. The marriage of words and images was natural for me. And I did that thing to a point, and I just got really bored with how things were turning out. Collection of Stuart Ginsberg, Chappaqua, New York. Clinton also expressed the Afrofuturist desire to locate and define the parameters of uncharted dimensions, since the one we’re in now isn’t quite working out.

And I’d say the white and the black first came from a lot of drawings that I was doing that had to do with identity politics and race and things. She is the smiling face of Painter. I met preachy vegans in graduate school, and in the spirit of absurdity, I used them as stand-ins for extremists&#—people for whom an ideology goes too far.

Save for occasional pinkish wounds that reveal their Moundmeat, the mild-mannered creatures are covered in black-and-white fur stripes&#—a far cry from the bone-white Vegans. That’s just how he takes on the world. © Art21, Inc. 2003.