Soren emil carlsen biography of michael jackson
Home / General Biography Information / Soren emil carlsen biography of michael jackson
When he returned to the United States, he set up a studio in New York and began to painted tonalist still lifes that were somewhat reminiscent of those of Chardin. In 1879 he held an auction to help ease his financial situation but ended up selling only a few paintings. In 1884 he returned to Europe, painting commissions of floral still lifes for the dealer, Theron J.
Blakeslee, to support his studies.
After moving to Boston he had a short period of good sales.
He returned to New York and again struggled to sell his paintings. After two years, Carlsen grew tired of painting "endless yellow roses" and returned to New York, where he created landscapes inspired by his New England surroundings. However, selling work was still a struggle. He could not support himself, however, and had to put his work up for auction to pay his bills.
These often depicted copper pans, game, or flowers. In an era when many artists succumbed to the pressure resulting from The Armory Show to follow modernistic "developments" Carlsen remained faithful to his inborn aesthetic sense continuing to create at an extremely high qualitative level. His paintings are represented in major institutions across the United States, and he is remembered as an artist who brought refinement and depth to both still life and landscape traditions in American art.
.
He described himself as "dog-poor," but in 1883 his luck changed when one of his paintings was accepted for an exhibition at the Pennsylvania Academy of the Fine Arts.Eventually he turned his back on the demand for pretty flowers. During his second Paris sojourn, from 1884 to 1886, Carlsen studied the techniques of French impressionists Claude Monet and Auguste Renoir, adopting some of their freshness and spontaneity.
Elizabeth Prelinger American Impressionism: Treasures from the Smithsonian American Art Museum (New York and Washington, D.C.: Watson-Guptill Publications, in cooperation with the Smithsonian American Art Museum, 2000)
Luce Artist Biography
Emil Carlsen studied architecture in Copenhagen and moved to Chicago when he was nineteen.
However, Holst returned to Denmark, leaving his studio to Carlsen. Over time, Carlsen expanded his focus to landscapes and seascapes, painting coastal scenes with subtle color transitions and quiet tonal effects that revealed his sensitivity to nature’s rhythms.
Carlsen’s work reflected the influence of French plein-air painting, yet retained a contemplative quality that set him apart from his contemporaries.
Later in his career Carlsen expanded his range of subjects and becoming known for landscapes and marines as well.
During his long career he won many of the most important honors in American art and was elected to membership in the National Academy of Design. A New York dealer saw the show and offered to support Carlsen's studies in Paris in return for the artist's still-life paintings.
The full text of the article is here →
More ...
Soren Emil Carlsen
Danish/American, 1848-1932
Soren Emil Carlsen was a Danish-born American painter celebrated for his mastery of still life and his later explorations of landscape and marine painting.
Influenced by the master still-life painter Jean-Baptiste-Siméon Chardin, Carlsen was a leading exponent of the Chardin revival in France.
Joan Stahl American Artists in Photographic Portraits from the Peter A. Juley & Son Collection (Washington, D.C. and Mineola, New York: National Museum of American Art and Dover Publications, Inc., 1995)
Artist Biography
The Danish-born Carlsen specialized in still-life painting in the manner of eighteenth-century French artist Jean-Baptiste Chardin, whose work he studied in Paris in the 1880s.
He became known for his still lifes and while by some he has been described as "The American Chardin" he was in fact a far more sensitive aesthetically oriented artist. For more than forty years he was also a respected teacher in Chicago, San Francisco and New York.
Emil Carlsen was born and raised in the Danish capital of Copenhagen.
The acceptance of a still life in the exhibition of the Pennsylvania Academy of Fine Arts in 1883 was the first noteworthy event in his career. It is not a stretch to view him as one of the truly great American artists of the twentieth century. In the 1870s he lived in Boston, creating background scenes for paintings of animals.