S h raza biography of barack

Home / General Biography Information / S h raza biography of barack

This move to France ushered in the next phase of Raza's career.

Inspired by the French landscape, Raza's works from the 1950s demonstrate a decidedly Cubist approach, informed by a “sense of order and proportion in form and structure.” (Artist quoted in Geeti Sen, Bindu: Space and Time in Raza’s Vision, New Delhi: Media Transasia Ltd., 1997, p.

Though his brothers and sister had migrated to Pakistan post partition, he had chosen India as his home. That year was the first turning point in Raza's life. The external to inward gaze, meshed ideas of the native and the foreign, the East and the West; the quest for a rootedness in one’s origins is observed in many of the artists who moved to the West.

The black space is charged with latent forces aspiring for fulfilment.” (Artist quoted in Sen, p. The foundation continues to work on his mission and gives away an award in his name to encourage budding Indian artists. He founded the Raza Foundation in India for the promotion of art among Indian youth. For this reason, he even travelled across most parts of Europe.

For Raza, the ‘Bindu’ marked his arrival, by making an icon that was universal in form and rooted in the nation. He also focused more on incorporating stories of Mahabharata into his art works and paintings.

Style of Painting

The paintings of S.H. Raza revolve mainly around nature and its various facets.

He even visited places like Gujarat, Rajasthan and Benaras. Raza was awarded the prestigious Padma Shree, India’s fourth highest civilian honor, by the Government of India in the year 1981. Raza’s gestural works of this period were emotional essays full of colour and vibrant movement. He was clearly in search of something that would go on to play a major role in his works in the near future.

Though he settled down in France in the early 1950s, he continued to represent Indian art by incorporating Indian philosophy and Indian cosmology in his works. 16.42 crore), making him one of the priciest modern artists of India. These landscapes were characterised by gestural brushstrokes and impasto application of paint.

Among the first Indian diaspora artists, Raza his work encapsulated the profound experience of expressing one’s identity through the eyes of the other within a global context.

His work took another leap in 2000, when he began to express his deepened insights and thoughts on Indian spirituality and created works around the ‘Kundalini’, ‘Nagas’ and the ‘Mahabharat’. Raza said his work was his own inner experience and involvement with the mysteries of nature and form which he expressed in colour, line, space, and light. In 1962, he started serving as a visiting lecturer at the University of California, Berkeley, USA.

There, he influenced many American painters and taught them the nuances of incorporating interesting Indian elements into modern art. Often, his themes were drawn from his childhood memories spent in the forests of his native village in Madhya Pradesh.