Raffaello sanzio da urbino biografia
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Los retratos romanos, en cambio, superan en veracidad y penetración psicológica a los florentinos. Aunque contaba sólo veinticinco años, era ya un pintor de enorme reputación. The theme was the acts of St Peter and St Paul.
A partir de 1518, Rafael se ocupó de la decoración de las Logias del Vaticano con pequeñas escenas del Antiguo Testamento envueltas en paneles de grutescos.
He produced a wealth of paintings including several Madonna’s, portraits, and altarpieces, all in addition to his Vatican efforts.
His only mythological work, Galatea, was painted for the Tiber villa of Agostino Chigi, another of his great patrons. Raphael's Loggias were grand in their design and conception.
These prints took the glory of Raphael’s art beyond the borders of Italy, forever ingraining his influence on western art.
(Some of this text has been adapted from the www.wikipedia.org entry on Raphael, available under GNU Free Documentation License.)
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(Raffaello Santi, también llamado Rafael Sanzio o Rafael de Urbino; Urbino, actual Italia, 1483 - Roma, 1520) Pintor y arquitecto italiano.
No se conoce con exactitud qué tipo de relación mantuvo Rafael con Perugino, del que unos lo consideran discípulo y otros socio o colaborador.
El pintor simultaneó la decoración de las Estancias del Vaticano con la realización de otras obras, como los frescos de El triunfo de Galatea para la Villa Farnesina.
En un espacio de gran amplitud, organizado con un perfecto sentido de la perspectiva, Rafael dispone una serie de grupos y figuras, con un absoluto equilibrio de fuerzas y una sublime elegancia de líneas. Also in the Uffizi from this period is a Self-Portrait, as well as an earlier portrait from 1503, Young Man with an Apple, of who is thought to be Francesco Maria della Rovere, the Duke of Urbino.
«» [Internet]. La Transfiguración, última obra del artista, es considerada por algunos el compendio perfecto de su arte. Also in the Uffizi is his portrait of, Pope Leo X with Cardinals Giulio de’Medici and Luigi de’ Rossi, Portrait of Elisabetta Gonzaga, Portrait of Guidubaldo da Montefeltro as well as works attributed to Raphael and an assistant, Saint John the Baptist in the Desert and a portrait of Pope Julius II, a copy of the master’s original now housed in the National Gallery of London.
Much of Raphael’s art reached wide-spread influence due to his collaboration with the engraver, Marcantonio (1480 – 1534), who produced about 50 prints of Raphael’s works, some were copies of paintings and others were Raphael’s original designs for engravings.
Barcelona, España: Editorial Biografías y Vidas, 2004. Chigi was a Sienese banker and commissioned work on his private chapel located in the church of Santa Maria del Popolo in Rome, also designed by Raphael. The work was completed more than a century later by Giovanni Lorenzo Bernini.
Raphael had not finished his work in the Stanza d'Eliodoro when in 1513 Pope Julius II dies and on the 11th of March Giovanni de Medici is elected and takes the name of Leo X. The artist's rise to fame and fortune continued under the patronage of the new pope, in fact, the commissions under Leo became ever more demanding. Raphael was now highly successful and had an extensive workshop of about fifty pupils and associates and, due to his vast workload, his assistants increasingly completed works following the artist's designs.
Some of the later works in the Stanze have been painted by his assistants and pupils. In 1514 Raphael finished his work in the Stanza d'Eliodoro and paints his Fire inthe Borgo in the Stanza dell Incendio.
This is the only work that Raphael is believed to have had some involvement in the actual execution of the painting. En ambos casos, el dibujo es de una calidad inigualable y el colorido, discreto, servidor de la forma. En la estancia del Incendio del Borgo (1514-1517) predomina ya la aportación de los discípulos sobre la del maestro, lo mismo que en la Estancia de Constantino, donde sólo la concepción del conjunto corresponde a Rafael.
Bramante had overseen plans for the rebuilding of St Peter's under the patronage of Julius II. He recommended Raphael for the post of chief architect, and, despite the artist's limited experience, Leo X appointed him the architect of St Peter's on April 1st, 1514. In 1515/16 he designs cartoons for a series of tapestriesfor the Sistine Chapel.
Raphael’s place as a master of the High Renaissance is mentioned next to Michelangelo and Leonardo da Vinci; though he is often compared in status to his prominent contemporaries, Andrea del Sarto (1486 – 1531), Correggio (1489 – 1534) and Titian (1485 – 1576). The weaving took place in Brussels and in 1519 A total of seven tapestries arrived in Rome and were hung in the Sistine Chapel. In 1517 he begins the decoration of the Vatican Loggias and the Loggia di Psiche in Chigi's Tiber Villa.
Raffaello Sanzio
Raphael, known also as Raffaello Sanzio or for his place of birth, Raffaello Urbino; Sanzio is derived from Santi, his father’s surname, Giovanni Santi (1435 – 1494), who was also a painter and poet in Urbino.