Obras de roger bissiere biography
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This stopped him from going blind but did not improve his eyesight, and he complained his eyes tired more quickly when he was painting.
Roger Bissière died 2 December 1964 in Boissièrettes (near Cazals).
Rue Roger Bissière in Paris is named in his honour.
Between 1985 and 1995 John Myatt produced a number of fake Roger Bissière paintings for John Drewe, a purveyor of forged art.
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As such he enriched orthodox Cubism by applying the fauve technique of heavy brushwork to its usual pictorial vocabulary. He participated in the first three documenta exhibitions of 1955, 1959 and 1964.
After he realised his eyesight was deteriorating he was diagnosed with glaucoma in 1939. In 1964 he represented France at the Venice Biennale.
1, 1920), Ingres (No. He designed stained glass windows for Metz cathedral and several other churches.
Roger Bissière was born 22 September 1886 in Villeréal, Lot-et-Garonne.
He married Catherine Lucie Lotte (nicknamed Mousse), 23 January 1919. The full text of the article is here →
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Artworks
Bissière exhibited with the legendary art dealer Léonce Rosenberg of the Galerie L' Effort Moderne in Paris, 1921-1923, after which he was under contract with Galerie Druet, 1923-1928.
Bissière's authority as a teacher at the Académie Ranson, from 1925 until 1938, is traced in an entire generation of abstract artists including Manessier and Viera de Silva
Roger Bissière
Bibliography
2014
Isabelle Bissière and Bernard Ceysson, Bissière, figure à part [exhibition catalog., Musée de Lodève et Musée des Beaux Arts de Bordeaux, France], Ed.
Fage
2010
Robert Fleck, Bissière, Ed. IAC
2008
Gravures et lithographes, Ed. Musée des Beaux-Arts d'Agen, France
2004
Sylvie Ramond and alii, Bissière, pense à la peinture [exhibition catalog., Musée Unterlinden, Colmar], Ed. Fages
2002
Daniel Abadie, Bissière, Ed.
Ides et Calendes, Switzerland
2001
Isabelle Bissière et Virginie DUVAL, C. R. 1886-1964, 3 Vol., Ed. Ides & Calende, Neuchâtel, Switzerland
2000
Serge LEMOINE, Walter LEWINO and Jean-François JAEGER, Bissière, Ed. Ides & Calende, Neuchâtel, Switzerland
1999
Bissière, le rêve d'un sauvage... [exhibition catalog., Musée Picasso, Antibes], Ed.
RMN
1986
Daniel Abadie, Bissière, Ed. Ides & Calende, Neuchâtel, Switzerland
1964
François MATHEY, Bissière, journal en images, Ed. Hermann
1962
Dora VALLIER, Bissière, Ed. Galerie Jeanne Bucher
1955
Max-Pol FOUCHET, Bissière, Ed. G. Fall, Paris, France
Roger Bissière
Roger Bissière
Roger Bissière
Roger Bissière (22 September 1886 – 2 December 1964) was a French artist.
Simultaneously, Bissière was engaged by Picasso's researches into advancing Cubism, which brought him to Neo-Classicism. Bissière’s legacy includes stained glass windows for Metz Cathedral and participation in major international exhibitions such as the Venice Biennale and Documenta.
Roger Bissiere’s son, Marc-Antoine Bissiere, also became a well-known painter and graphic artist, who worked under the pseudonym Louttre B.
Works by Roger Bissiere
A student at the Académie des Beaux-Arts in Bordeaux, Bissière settled in Paris in 1909.
By 1950 his peripheral vision was severely affected and he underwent surgery. These writings formed a solid basis for his personal reflections and offered the necessary references for the development of his own painting. From 1912 onwards Bissière supplemented his income as a painter with writing exhibition reviews and critics first for 'L'Opinion' and later for 'L'Esprit Nouveau'.
Having befriended André Lhote and Georges Braque upon his return, Bissière was encouraged to develop a more humanized version of Cubism. Bissière taught at the Académie Ranson and was instrumental in the development of non-figurative art in post-war France. 9, 1921).
In 1936, Bissière was one of the artists who executed Robert and Sonia Delaunay's designs for the Exposition Internationale des Arts et Techniques dans la Vie Moderne.
Bissière's unremitting investigations into the survival of Cubism ultimately pushed him to Abstraction during the early 1950s. 4, 1921) and Corot (No.
Roger Bissière was a French painter and teacher associated with the Nouvelle École de Paris and is recognized as a major figure in modern French painting.
Born at Villereal, Lot-et-Garonne on September 22, 1886, the son of a notary, he started his career as a journalist, writing art reviews for the Parisian weekly “L’Opinion.” He began exhibiting paintings in a cubist style around 1918, and in 1920 wrote the preface to a book on Georges Braque, the first monograph on that artist.
Initially influenced by Cubism, his work evolved toward lyrical abstraction, emphasizing color, structure, and spiritual resonance.
Their son Marc-Antoine was born 15 July 1925.
Bissière published articles in the magazine L'Esprit Nouveau about Seurat (No. His compositions — with their bold forms and harmonious palettes — resonate strongly with the aesthetics of mid-century modern design.