Narciso yepes biography of william shakespeare

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So unique was the legend’s energetic pulse and electrifying vibrato that even seasoned artists could not reproduce it. He gave his last concert on March 1, 1996, in Santander (Spain).

He died in Murcia in 1997, after a long battle with lymphoma.

Press quotes

Positive and negative reviews of Yepes' performances, as with any artist, can be found:

Positive

  • "Narciso Yepes gave a most delicate account of Rodrigo's Concierto de Aranjuez.

    Yepes was the greatest proponent of the 10-string, an instrument that made it possible to transcribe works originally written for baroque lute without deleterious transposition of the bass notes. Und was hörte ich dann? The overwhelming success of this performance brought him renown from critics and public alike. His attributes as a well-disciplined master of the guitar are of the first rank." (The New York Times)

  • "Other fine guitarists have visited Japan, but none of them, not even Segovia, revealed such delicacy and beauty in the instrument." (Sankei Shinbun, Tokyo)
  • "...We consider Yepes the most complete guitarist of our times." (El Mercurio, Santiago de Chile)
  • "An admirable musician, a master of his instrument ...

    His father gave him his first guitar when he was four years old. 147 (January 1988) (in Spanish)

  • ^Narciso Yepes speaks on Forbidden Games Romance
  • ^Romance (song)
  • ^Compagnie Ana Yepes
  • ^Ramirez III, Jose (1994), "The Ten-String Guitar" in Things About the Guitar, pp. [...] In three Villa-Lobos studies, however, Mr.

    Yepes's generosity of phrase found sympathetic and grateful recipients [...]" (THE NEW YORK TIMES; Music Noted in Brief; Narciso Yepes Plays A Guitar Recital at Met; Bernard Holland; November 10, 1986)

  • "In meiner Jugend in den Siebzigern war die „Hifi Stereophonie” das absolute Flaggschiff der gehobenen Musikrezension und eine wichtige Quelle der Information in meinem Klassik geneigten Umfeld.

    He was an extraordinarily well-trained, well-informed, and well-read performer, which was unusual in the musical world during his time. ... Among composers who wrote works for him are Salvador Bacarisse, Leonardo Balada, Ernesto Halffter, Moreno-Torroba, Maurice Ohana, and Françaix. Mr. Yepes' startling performing magnetism is a natural product of his technical mastery..." (Musical America)

  • "With a rare intelligence and sensibility, Narciso Yepes conveyed to his audience that powerful silencing of all the critical spirit that only really great performers can bestow." (Le Soir, Brussels)
  • "Such incomparable artistry, coupled with staggering technical virtuosity, is rare among artists today." (Records and Recordings)
  • "Yepes is more than a brilliant virtuoso and more than a consummate musician ...

    After 1964, Yepes used the ten-string guitar exclusively, touring to all six inhabited continents, performing in recital as well as with the world's leading orchestras, giving an average of 130 performances each year.

    Aside from being a consummate musician, Narciso Yepes was also a significant scholar. On December 16, 1947 he made his Madrid début, performing Concierto de Aranjuez with Ataúlfo Argenta conducting the Orquesta Nacional de España at the Teatro Español of Madrid.

    Yepes often seems determined to make this music neither exciting nor romantic.
    [...] if you are interested in building your library, there are dozens of other recordings of this standard fare that you would be better off with." (American Record Guide; Steven Rings; 1 September 2003)

  • "Narciso Yepes is a clean-fingered (though not infallible) player with a rather academic approach" (The Gramophone; Compton Mackenzie, Christopher Stone; 1954)
  • "Respectfully, I cannot place Yepes on the same level with Segovia and Bream." (Angelo Gilardino, Guitar Review, Issue 115/Winter 1999)
  • "controversially different" (The New Grove Dictionary of Music and Musicians)
  • "The Spaniard Narciso Yepes, now, is famous, as much for his occasional lapses as for his occasional excellences.

    narciso yepes biography of william shakespeare

    Yepes had poetry and power in large measure and flexibility of rhythm that was a total contradiction to the tight beat he kept. In addition, through his patient and intensive study of his instrument, Yepes developed a revolutionary technique and previously unsuspected resources and possibilities.

    His recordings are world-wide sold, but his endless research interest leads him to invent in 1964 the 10 strings guitar, and at the same time that he goes on his big career as concertist all over the world, he constantly works in the recovery and edition of old unpublished scores from the Renaissance, Baroque, etc., with more than 6000 works.

    (New York Herald Tribune)

Neutral/Negative

  • "Compared with the more flowing style of his older contemporary, Andres Segovia [...], Mr. Yepes's style could sound oddly clipped, yet his admirers pointed out that his approach allowed counterpoint to emerge with a clarity unusual on the guitar." (THE NEW YORK TIMES; Narciso Yepes, Spanish Guitarist And an Innovative Musician, 69; Allan Kozinn; May 4, 1997)
  • "Yepes is, of course, a thoroughly accomplished performer, but in this repertory he seems a bit too cool and, at times, even mechanical.