Morag myerscough biography of alberta
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I really like the thought that people can experience the building and the exhibition without paying. The other important element was that the exhibition sits well in the context of the fabric of the building and John Pawson’s interventions.
Morag Myerscough
How did your love of colour begin?
Design Museum
Being introduced to colour through textiles by my mother.
MM: Going back to living in London and having a professional viola player father, Henry Myerscough, who practiced all the time in our family home, I was introduced to very advanced abstract modern music from very young and sound has always been very important to me. I want to continue to do relevant work for as long as I can and people respond to it.
Morag Myerscough
Tell the Design Museum about your installation at Designer Maker User and the thought process behind your project?
Design Museum
Designer Maker User is the first free exhibition at the Design Museum has had.
Morag Myerscough
Morag Myerscough
Morag Myerscough is a prolific British designer known for her vibrant, large-scale installations and immersive spatial design. And from watching people respond to my work – I can see it also brings people lots of joy too.
TW: You’ve also incorporated sound into your works; can you tell us more about how this element complements the visual aspect of your designs?
Do you feel this situation is improving?
Design Museum
I hope so, but I am not writing the history books.
Morag Myerscough
Finally, it’s International Day of Happiness this month, which design makes you happy?
Design Museum
I aim to make work that people respond to in various ways you can never predict reactions but on occasions the work evokes a feeling of happiness.
I would like only clean vehicles to be on the roads which would make the air cleaner and the different sounds could be heard without such deafening traffic noise; maybe even bird song. It caught my imagination. Myerscough's contributions to the field have been recognized with numerous awards, including the Design Week Awards and the New London Architecture Awards.
MM: Hoxton Square, when I got stuck I would go out with Elvis, my westie, for a walk around the square and we would often meet someone and have a chat about something completely random. Her design philosophy is rooted in the belief that design should be accessible, inclusive, and have a positive impact on people's lives.
MM: I think being brought up surrounded by London’s grey buildings, roads and pavements — seeing colour was a joy. I get super excited seeing one of my installations in a very grey environment, it just sings out. It is important to have a vision that comes from the right place – your heart – and work that through right to the completion of the project.
TW: You’ve worked with so many different kinds of buildings and spaces; what’s the top place you’d love to makeover in London? Her bold, colorful, and often text-based designs aim to create a sense of joy, belonging, and community in public spaces. Why do you believe design is a positive force for within the public realm?