Marianne von werefkin foto personal information

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A far greater obstacle would be her 27-year-long relationship to Jawlensky. Since they first met, she supported him in the hope that he would realize, in tangible form, the new art to which she aspired. München; Zürich. Disappointed by Jawlensky’s work, she started painting again in 1906, choosing gouache and tempera, and discovered a new dynamic and luminous strength in colour.

Marianne Werefkin. Women Expressionists. Dance, to which she attributed great expressive power, was an essential subject in them—the painter was in fact a friend of Diaghilev (1872-1929) and was very well acquainted with the work of Alexandre (1886-1963) and Clothilde Sakharoff (1892-1974). When the First World War broke out, Marianne von Werefkin emigrated to Switzerland.

1908-2008, vor 100 Jahren, Kandinsky, Münter, Jawlensky, Werefkin in Murnau. 1988. A native of Russia, from a noble family that appreciated art, she enjoyed the best possible education and developed a strong artistic identity early on. After an ugly intrigue, initiated by Kandinsky, Marc and Macke, the “Blaue Reiter” (Blue Rider group) split off from the NKVM.

She co-founded the Neue Künstlervereinigung München in 1909, took part in a New Secessionexhibition in Berlin in 1911-12, had connections to Der Blaue Reiter, and participated in several Der Sturm exhibitions. In 1896, they went to Munich, then an artistic capital and a source of the pictorial revival she was heading towards.

Her home became a salon governed by a way of thinking stimulated by her dazzling personality and conducted by the confraternity of St.

Luke, founded in 1809 by young painters at the Academy of Fine Arts in Vienna, brought together by bonds of friendship and one and the same line of visual research. Bonn. 1996. In 1888, her right hand was seriously injured, but she nevertheless invented a system enabling her to hold a brush and carry on painting.

marianne von werefkin foto personal information

Marianne von Werefkin: Œuvres peintes, 1907-1936. Werefkin was the primary theorist and stimulator of new ideas.