Leonardo da vinci biography cortazar
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It should be noted that much in Leonardo's approach to art originated from using tradition, rather than rebelling against it. Even in its current state, it is a masterpiece of dramatic narrative and subtle pictorial illusionism.
Leonardo chose to capture the moment just after Christ tells his apostles that one of them will betray him, and at the institution of the Eucharist.
There, he painted a series of portraits that included “La Gioconda,” a 21-by-31-inch work that’s best known today as “Mona Lisa.” Painted between approximately 1503 and 1506, the woman depicted—especially because of her mysterious slight smile—has been the subject of speculation for centuries.
In the past, she was often thought to be Mona Lisa Gherardini, a courtesan, but current scholarship indicates that she was Lisa del Giocondo, wife of Florentine merchant Francisco del Giocondo.
Leonardo Da Vinci Biography In Details
From September 1513 to 1516, Leonardo spent much of his time living in the Belvedere in the Vatican in Rome, where Raphael and Michelangelo were both active at the time. In his Studies for the Nativity(), he studied different poses and gestures of the mother and her infant, probably in preparation for the main panel in his famous altarpiece known as the Virgin of the Rocks (Musée du Louvre, Paris).
In 1481 he received a major church commission for an altarpiece, the Adoration of the Magi. Vasari also tells us that in his last days, Leonardo sent for a priest to make his confession and to receive the Holy Sacrament. Most notably, he believed that sight was mankind’s most important sense and that “saper vedere” (“knowing how to see”) was crucial to living all aspects of life fully.
This may be seen in the contrast between Michelangelo's early David and his later St. Matthew. (Melzi would go on to marry and have a son, whose heirs, upon his death, sold da Vinci’s estate.)
Da Vinci died at Cloux (now Clos-Lucé) in 1519 at age 67. Leonardo also drew what he observed from the world around him, including human anatomy, animal and plant life, the motion of water, and the flight of birds.
A short time thereafter, the room was remodeled and the fragment was destroyed. 1482–99, 1508–13), but spent the last years of his life in Rome (1513–16) and France (1516/17–1519), where he died. The work is only known today through some rapid rough sketches of the groups of horsemen, careful drawings of single heads of men, and copies of the entire composition.
It was here that he spent the last three years of his life, accompanied by his friend and apprentice, Count Francesco Melzi, supported by a pension totalling 10,000 scudi.
Leonardo died at Clos Lucé, France, on May 2, 1519. He died on May 2, 1519, at Cloux. He wrote about both of these principles in his notebooks. Leonardo was revered for his knowledge more than for any work he produced in France.
He was buried in the Chapel of Saint-Hubert in the castle of Amboise.