Kohei nawa biography of william hill

Moon Kyungwon & Jeon Joonho
"News from Nowhere : Laboratory of Spring and Autumn Collection" Wed.

exciting Art Craft Exhibition," Urasoe Museum, Okinawa, Japan
"ULTRAANTEROOM EXHIBITION," HOTEL ANTEROOM KYOTO, Kyoto, Japan
"Making Links: 25 years," SCAI THE BATHHOUSE, Tokyo, Japan

2013

AICHI Triennale 2013, Aichi, Japan
"Inujima Art House Project," F-Art House, Okayama, Japan
"KOHEI NAWA | SANDWICH," EYE OF GYRE, Tokyo, Japan

2012

"Parallel Japanese Worlds," A4 Contemporary Arts Center, Chengdu, China

2011

"Beyond," SCAI THE BATHHOUSE, Tokyo, Japan
"GRASSTRESS 2011," Palazzo Cavalli Franchetti, Venice, Italy
"Bye Bye Kitty," Japan Society, New York, USA

2010

"Living in Evolution," Busan Biennale 2010, Busan, South Korea
"Great New Wave : Contemporary Art from Japan," Art Gallery of Greater Victoria, British Columbia, Canada
"Franks-Suss Collection," Saatchi Gallery, London, UK
"14th Asian Art Biennale Bangladesh 2010," Dhaka, Bangladesh
"Trans–Cool TOKYO - Contemporary Japanese Art from MOT Collection," Bangkok Art Culture, Center, Bangkok, Thailand
"CITY2.0," EYE OF GYRE, Tokyo, Japan

2009

6th Asia Pacific Triennale, Brisbane, Australia
"VOCA 2009," The Ueno Royal Museum, Tokyo, Japan
"Animamix Biennial-Visial Attract and Attack," Museum of Contemporary Art Taipei, Taipei, Taiwan
"Neoteny Japan, Takahashi Collection," The Ueno Royal Museum, Tokyo, Japan
"From Home to the Museum:Tanaka Tsuneko Collection," The Museum of Modern Art Wakayama, Wakayama, Japan

2008

"Great New Wave: Contemporary Art from Japan," Art Gallery of Hamilton, Ontario, Canada
"Parallel World," Museum of Contemporary Art Tokyo, Tokyo, Japan

2007

"ArtScope 2005-2006," Daimler Chrysler Contemporary, Berlin, Germany
"Roppongi Crossing 2007," Mori Art Museum, Tokyo, Japan

2006

"Hydridity:The Evolution of Spaces and Spaces in 21st Century Art," 21c Museum, Kentucky, USA
"Art Scope 2005-2006," Hara Museum, Tokyo, Japan
"Let's Go to the Museum!

Through a number of public art projects including iconic installations by Tatsuo Miyajima and Louise Bourgeois at Roppongi Hills, SCAI The Bathhouse has been introducing the cutting edge of art into landscapes of the city, expanding audiences for contemporary art in Japan.

SCAI The Bathhouse seeks to function as a meeting place of various currents of contemporary art, both in Japan and abroad, and to play a leading and responsible role in the art scene.

Figure sculptures that capture the piercing intensity of human body, and music in which fills and condenses the air around the stage enliven new sensation in the viewer, crossing the limits of cognition and presenting an experience that traverses the boundaries of reason and perception. Take a step inside, and you will find a white cube with soft natural light descending from the high ceiling.

Since its establishment in 1993, SCAI The Bathhouse has realized numerous exhibitions and commission projects.

1975) presents a multilateral work based on his diverse practice, which examines the relationship between nature and artificiality, paying attention to the association between the individual and the whole. In association with the gallery, artists such as Anish Kapoor, Darren Almond, Apichatpong Weerasethakul, and He Xiangyu have produced new bodies of work inspired by Japanese culture.

He received his BFA in 1998, MFA in 2000, and PhD in 2003, majoring in sculpture at Kyoto City University of Arts, Kyoto, Japan. The gallery is also establishing the global presence of next-generation talent, such as Kohei Nawa and Reijiro Wada. In walking proximity to Ueno, an area dense with museums and art schools, the gallery was converted from a venerable 200-year-old public bathhouse.

The series of sculptures entitled PixCell (2017-2022), a combination of the unit ‘Pixel’ that represents the accuracy of the image in the digital era and ‘Cell’ that refers to biological cells, highlights phenomenological questions about the nature of the object.