Jose de creeft biography of christopher

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His list of mentors, associates, teachers, and friends is long and impressive, as is his list of works of art and exhibitions. Traditional methods entailed preparing a model out of clay or plaster and then creating a larger work from its likeness. The experience in the artist's workshop cemented de Creeft's decision to become an artist. He was an early adopter, and prominent exponent of the direct carving approach to sculpture.

Another innovation of de Creeft was making sculpture from discarded or repurposed materials.

José de Creeft

Spanish-born artist, sculptor, innovator and teacher, José de Creeft (1884-1982). Four students portrayed bulls. He moved about Spain and to Paris during his early years, apprenticing with artists and sculptors.

He worked at several artists' studios in Madrid and Barcelona, including that of an imagier, who made stylized religious figures for churches. In 1929, after studying in Paris, de Creeft immigrated to the United States from Spain. He moved to Paris at the age of twenty-one and entered the Académie Julian, where he worked in a studio adjacent to those of Pablo Picasso and Juan Gris.

While there, de Creeft “prepared and directed” a “colorful Spanish bull fight.”

The extravaganza, described as a “dramatic burlesque,” involved the entire BMC community either as participants or spectators. His family moved to Barcelona, Spain, soon after he was born.

jose de creeft biography of christopher

Each sculpture embodied his philosophy that the relationship between the artist and his body of work is reciprocal rather than hierarchical. Although he primarily worked with marble, wood, and terra-cotta, de Creeft also experimented with a wide variety of other materials, including stovepipes, oil cans, insulated wire, and rubber tubes.

Jose de Creeft


Artist Biography

José de Creeft was a Spanish-born American artist, sculptor, and teacher known for modern sculpture in stone, metal, and wood, particularly figural works of women.

Students made costumes and props under de Creeft’s direction. De Creeft responded to each stone, marble block or piece of wood individually, allowing each to evolve from the relationship between the artisan and the innate personality of each material.

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Eighteen months later, he moved to America and settled in New York.

The two married that November. Additional performers were Spanish ladies, arena shovelers, and cigarette girls.

Fred Cohen and Simon Sadoff provided Spanish music for certain scenes.

José was born in Guadalajara. His method of carving allowed him to be a part of the entire process of creating a finished piece, one which was not defined as the result of a preconceived determination, but instead as a result of the unbridled spontaneity necessary for artistic fulfillment.

She enrolled in de Creeft’s sculpture class, and created a wooden sculpture included in the exhibition. The following year, de Creeft became a naturalized citizen of the United States.