John jude palencar artwork
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Palencar has also worked on entertainment projects for Lucas Arts, Electronic Arts, Paramount Pictures, and Vivendi Universal.John has been an artist-in-residence at the Cill Rialaig Arts Project in County Kerry, Ireland, where his personal paintings were included in a special exhibit entitled, “ÒImages of Ireland” held at the National Museum in Dublin.
His personal iconography is sometimes unsettling and always ecentric. Palencar has also worked on entertainment projects for Lucas Arts, Paramount Pictures and Vivendi Universal.
He enjoys an on-going artist-in-residence program in County Kerry, Ireland, where his personal paintings were included in a special exhibit entitled, “Images of Ireland” held at the National Museum in Dublin.
He continues to create new work and has exhibited in numerous group and solo exhibitions.
“Between Worlds” will feature a small portion of his personal works as well as pieces that were created for various publishers. Primarily working in the fields of Fantasy and Horror, he has painted covers for some high-profile books, like Christopher Paolini's popular Eragon novels and Jacqueline Carey's Kushiel novels, yet he has painted sf covers as well; one standout example was his painting showing a tiny figure against pale ruins for a 1986 republication of David Brin's The Postman (1985), vaguely similar but vastly superior to Tom Hallman's cover for the hardcover edition.
After receiving a BFA from Columbus College of Art and Design, he received further training at the Illustrators Workshop in Paris before embarking upon a highly successful career of painting book covers. They wait for the water to lift them so they can prowl for the justice that was denied them ninety years ago. He is noted for an intense, almost photographic realism with bold colours, though his figures are sometimes juxtaposed with more abstract backgrounds.
His art has appeared in Time Magazine, National Geographic Magazine, Smithsonian Magazine, and more. He has also worked outside the genre for magazines like National Geographic, Smithsonian, and Time.
The power and diversity of Palencar's work can be conveyed by describing his five award-winning covers: for Valerie J Freireich's Becoming Human (1995), he painted a naked man crouching on a pedestal holding a mask; for Tanya Huff's Blood Debt (1996), he juxtaposed a reclining corpse with a screaming head and demonic spirits rising from the body; for the anonymously edited Tales of the Cthulhu Mythos (anth 1998), he crafted the image of entombed alien corpses accompanied by skulls; for Louise Marley's The Terrorists of Irustan (1999), he offered an understated portrait of a woman heavily wrapped in robes; and for Charles de Lint's Forest of the Heart (2000), he painted a naked man stunningly growing out of a barren tree.
The first two of these covers earned Spectrum Gold Awards, while the others won Chesley Awards. There are touches of Bosch and Da Vinci in his visual allegories of netherworld landscapes and doomed characters.
For more than twenty-five years, he has created book covers and received honors for his contributions to the field of illustration including Gold and Silver Medals from the Society of Illustrators, two Gold Book Awards from Spectrum, and four Chesley Awards from the Association of Science Fiction and Fantasy Artists (ASFA).
John has created cover art for such renowned authors as H. P. Lovecraft, Ursula LeGuin, Marion Zimmer Bradley, P.D. James, Charles deLint, R.L.Stine, Octavia Butler, David Brin and Stephen King, to name a few. When a TVA dam falters and the river swells, panic rises downtown. (Paolini named Eragon’s birthplace “Palancar Valley” after John.)
Time, Smithsonian, and National Geographic Magazine, and the Philadelphia Opera have employed his illustrative talents for their publications and productions.
Tagged: Artist.
(1957- ) American artist. During his college years he worked for the American Greetings Card Company as a freelancer, establishing an impressive list of regional and national clients in editorial, advertising, and corporate art.
Most recently John was awarded Spectrum's Grand Master Award.His work has appeared on hundreds of book covers for just about every major publisher in the U.S., and in over thirty countries around the world. These awards include Gold and Silver Medals from the Society of Illustrators, two Gold Book Awards from Spectrum, additional awards from Communication Arts, Print Regional Design Annual, American Illustration, and six Chesley Awards from the Association of Science Fiction and Fantasy Artists including the award for "Artistic Achievement".
Occasionally John is invited to lecture and serve as an artist-in-residence at colleges and universities across the country.
He resides in northeastern Ohio with his wife, Lee, and two sons, Ian and Kit.
He has been an Artist in Residence in Ireland and a visting artist and lecturer at numerous colleges and universities.His work has been included in a number of museum exhibitions around the country and overseas. The book description for "Not Flesh Nor Feathers" gives us a deeper understanding of the painting:"...Deep beneath the riverbank, the evidence of a terrible crime has been covered up twice.