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The lighting in his paintings is often soft and atmospheric, enhancing the mood of the scene.
He is firmly associated with the Munich School of painting, which dominated German art in the second half of the 19th century. Hermann von Kaulbach died, in 1909, at his hometown Munich.
Hermann Kaulbach: Chronicler of Childhood and History in 19th Century Munich
Hermann Kaulbach (1846–1909) stands as a significant figure in German art during the latter half of the 19th century.
Kaulbach, inspired by Piloty, depicted historical themes in his genre pictures. He represents a more conservative, yet highly skilled and popular, facet of the Munich art world, which also saw the rise of Symbolism with artists like Arnold Böcklin (1827–1901, Swiss-German, influential in Munich) and later, Franz von Stuck (1863–1928).
Academic Recognition and Career
Hermann Kaulbach's talent and dedication earned him significant recognition within the art establishment.
There, he became a student of the influential history painter Carl Theodor von Piloty (1826–1886).
The Influence of Family and Mentors
The impact of Hermann Kaulbach's father, Wilhelm von Kaulbach, cannot be overstated. Under his influence, Kaulbach devoted himself almost entirely to historical themes.
His work offers a window into the sensibilities and artistic trends of Wilhelmine Germany, particularly within the vibrant Munich art scene.
Early Life and Artistic Formation
Hermann Kaulbach was born in Munich on July 26, 1846. They found their way into collections and were sought after in the art market, as evidenced by their appearance in auctions.
This success reflects both his artistic skill and his ability to connect with the tastes and sentiments of his time.
The Kaulbach Artistic Dynasty and Connections
Hermann Kaulbach was part of a remarkable artistic family. Piloty's studio attracted numerous talented artists who would become significant figures, including Franz von Lenbach (1836–1904), Hans Makart (1840–1884), and Gabriel von Max (1840–1915).
Hermann Kaulbach
biography
The painter Hermann Kaulbach was born in Munich, on 1846, as the only son of the well-known historian and later director of the Academy of Arts, Wilhelm von Kaulbach. Ultimately though, he became best known for his portraits of children.
He made two study trips to Rome, in 1880 and 1891.
Meantime, in 1886, he was appointed a Professor of History Painting at the Academy of Fine Arts Munich.
Hermann inherited not only artistic talent but also grew up amidst the discussions and practices of high art.
Under Carl Theodor von Piloty at the Munich Academy, Hermann was immersed in a different, though related, approach to history painting. These scenes are characterized by careful attention to detail, particularly in rendering clothing, toys, and the surrounding environment.
Kaulbach possessed a keen ability to capture the subtle expressions and reactions of children.
Piloty was a leading exponent of German Realism within historical subjects, emphasizing dramatic lighting, meticulous detail in costumes and settings, and psychological intensity. The painting The Coronation of St. Elisabeth brought Kaulbach an appointment as honorary member of the Munich Academy of Fine Arts, in 1886, and was awarded a golden honorary medal at the Berlin Jubilee Exhibition.
This school was known for its technical proficiency, often dark palette (especially in the earlier period influenced by Dutch masters), and preference for genre and historical subjects. These works resonated with contemporary viewers and remain appealing for their charm and technical skill.
Historical Subjects and Other Works
Alongside his popular children's scenes, Hermann Kaulbach continued to engage with historical and literary themes, reflecting his academic training under Piloty and the influence of his father.
Born into an artistic dynasty in Munich, he carved his own niche, becoming particularly celebrated for his tender and detailed depictions of children, while also engaging with the historical and genre subjects popular in his time.