Frank lista biography
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In fact, later Liszt’s mother admitted that it seemed as if the cannons had cured her son.
During this time, he not only kept uncertain hours but also picked up drinking and smoking, all of which habits he would end up keeping his entire life.
As time went on, he actually began losing all interest in music; he even questioned music as his profession. Liszt’s music is among the most flamboyant of the 19th century.
However, the marriage didn’t last; Cosima married Richard Wagner some years later.
In addition to giving lessons to pianists, Liszt also wrote several articles which emphasized his support of both Berlioz and Wagner. In fact, the press mocked him at times, poking fun at his gestures and facial expressions. Liszt was the only child composer invited to participate; this was more than likely due to his teacher, Czerny, also being a participant.
Life In Paris
Adam Liszt suddenly died in 1827, after which Liszt moved to Paris.
In 1822 he met Beethoven, whose bestowed blessing he counted the most important formative experience of his musical life. Liszt became a mentor and provider to many younger musicians who found their way to Weimar and, as ever, since their friendship had begun, continued to subsidise Wagner. Her efforts would eventually fail, but Liszt being involved in the musical circles of Rome, along with making friends with Pope Pius IX, ended up being extremely beneficial to both his career and personal life.
Unfortunately, he also lost his daughter Blandine when she was just twenty-six, not even three years after losing his son in 1862.
The most decisive influence, however, came from the violinist Nicolò Paganini, who conveyed cathartic expression through his extraordinary technical skills and magnetic stage manner. In fact, by 1847, he was already so rich, that just about the entire amount of monies made from performing from there on out went to charities. His talent manifested itself very early, and his brief formal education culminated in studies in Vienna, principally with Czerny and Reicha.
He raised awareness of musical geniuses who came before him, such as Bach and Beethoven, as well as introducing his contemporaries, who he felt deserved recognition as well, such as Wagner and Berlioz.
Liszt most definitely had a larger-than-life personality which went along with his charm and talent. He conducted a program of sacred music at a concert given at Palazzo Altieri on March 26, 1893.
Liszt’s artistic influence on his contemporaries and successors is incalculably great: Wagner, Bruckner, Tchaikovsky, Borodin, Smetana, Franck, Grieg, Fauré, Strauss, Mahler, Debussy, Ravel, Reger, Skryabin, Schoenberg, Bartók, and even Brahms, Verdi and John Adams are all touched by his example.
Liszt’s prodigious musical output is widely recorded: the best recording of the Faust Symphony remains Beecham’s; Masur’s Dante Symphony is excellent, as are his Zwei Episoden aus Lenaus Faust and Mephisto Waltz no.
The hysterical nature of his fans was in part due to his dark, good looks as well as his bigger-than-life stage presence and mesmerizing personality. His health declined markedly after a fall down a flight of stairs in 1881, and he died in Bayreuth on July 31, 1886.