Francesco mazzola biography
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His few surviving paintings are distinguished by their grace and serenity.
Art Movement History: Mannerism.
Artists Influencing Parmigianino: Correggio.
Painters Parmigianino Influenced: El Greco, Pomponeo Amidano, Giacomo Bertoia, Francesco Borgani.
Artist's Biography compiled by Albert L.
Mansour at The World's Artist.
Another explanation could be that Parmigianino was simply interested in alchemy because of his printmaking activities, which would have involved various acids.
Madonna with the Long Neck
Parmigianino
After three years, Parmigianino returned home to Parma, where he was very much loved.
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Francesco Mazzola
Parmigianino is an acclaimed painter of the Italian Mannerists, who also worked in printmaking and Alchemy later in life. Still, in the church of San Domenico di Taggia (Imperia) one can see an Adoration of the Magi, while a little Parmesan tour can be made in Bologna, where in San Petronio one can admire the San Rocco and a Donor, and at the Pinacoteca Nazionale di Bologna the Madonna of St.
Margaret.
Abroad, one encounters masterpieces by Parmigianino at the Courtauld Gallery in London (the Nativity and the Vasari Madonna), at the Prado (the Saint Barbara, the Holy Family with Angels, the Portrait of Pier Maria Rossi di San Secondo, the Portrait of Camilla Gonzaga), at the Statens Museum for Kunst in Copenhagen (the Portrait of Lorenzo Cybo), at the Kunsthistorisches Museum in Vienna (the Conversion of St.
Paul and theSelf-portrait, the Portrait of Costanza Rangoni), at the Gemäldegalerie in Dresden (the Madonna of the Rose, the Casalmaggiore Altarpiece).
| Parmigianino: life, works, style, masterpieces |
Warning: the translation into English of the original Italian article was created using automatic tools.
The frescoes, created around 1524, tell the Stories of Diana and Actaeon and decorate the vault of the room. We undertake to review all articles, but we do not guarantee the total absence of inaccuracies in the translation due to the program. The delays were probably due to the ... Although Francesco Mazzola is known to have had interests in this subject, we do not actually know whether his attachment was as morbid as a reading of Vasari’s Lives would seem to suggest.
He had led a tumultuous, nonconformist life and, as is the fashion of most geniuses, died young.
Parmigianino: life, works, style, masterpieces
Categories: AB Art Base / Disclaimer
Parmigianino (Francesco Mazzola) was one of the great masters of Mannerism.
In fact, the work would not begin until five years later and would continue in a very tribulated manner: the artist’s slowness would bring him much trouble with the commissioners, including legal trouble (for example, the fabbriceria della Steccata, in 1538, allegedly ordered him to repay a large sum, 225 scudi, for breach of contract, and even in 1539 the fabbricieri managed to have the artist imprisoned, who spent two months in jail).
Here is his biography, style, major masterpieces. From the painting, one almost has the perception of being in front of an enfant prodige: the angels suggest his knowledge of Raphaelesque art, while the head of Christ is clearly derived from Correggio, while the landscape recalls Dosso Dossi and Venetian painting. The frescoes of the Madonna della Steccata deserve special mention: the artist had been commissioned to paint them in 1531.
He was commissioned to paint a series of frescoes including in the Church of the Madonna Della Steccata that were marked by a refined and stylized classicism. Parmigianino collaborated with them and even completed commissions his uncles did not fulfill later in life.
In just his early twenties, Parmigianino had already executed frescos in the church of San Giovanni Evangelista in Parma.
The round portrait shows the young artist, barely over twenty years of age, in a wonderfully angelic self-depiction, executed with exquisite attention to the effects of the mirror.
His other famous work of unconventional methods is the Madonna and Child with Angels, painted after 1534, which now hangs in the Uffizi Gallery. Assuming he stayed in Cremona, it can be assumed that Francesco Mazzola also knew the works of Romanino and Altobello Melone.
In the heads likewise it can be seen that he had all those warnings that are due, meanwhile his manner has been immited and observed by infinite painters, for having given to art such a pleasant light of grace, that his things will always be held in esteem, and he will be honored by all scholars of drawing.”
| Parmigianino, Self-Portrait in the Mirror (c.
The following year the artist was commissioned for the fresco decoration of the church of Santa Maria della Steccata in Parma: this was one of his best-known and most important undertakings, but also his most painful. He easily gained commissions from local aristocrats, such as the Baiardi family, for whom he painted his famous Madonna with the Long Neck and several portraits. The artist is already distinguished by the fineness of the decoration of the plate with which the Baptist is baptizing Jesus, and refinement is one of the hallmarks of his painting. Instead, one of his most famous works, theSelf-Portrait in the Mirror now in the Kunsthistorisches Museum in Vienna, dates from 1523. In 1524 the artist began to look forward to one of his greatest undertakings: he was in fact at the Rocca di Fontanellato, called by the local lord, Galeazzo Sanvitale. The two had actually meet in San Giovanni, while both working on frescos. |