F scott fitzgerald great gatsby biography books
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(1922, 2002). One of his most widely read stories during his lifetime, “George Jackson’s Arcady” (1924), concerns a disillusioned businessman who discovers how many lives he has benefited by epitomizing the virtues of honorable effort and civic giving. Cambridge and New York: Cambridge University Press.
_____. As the narrative returns to the present day, a shocking series of events pulls Dick and Nicole further and further apart.
Plunge into the 1920s with this volume of short stories, dedicated “quite inappropriately”, writes Fitzgerald, “to my mother.” In ‘The Curious Case of Benjamin Button’, a man ages backwards, starting life as a pensioner.
Two years later, while he was stationed at Camp Sheridan in Montgomery, Alabama, Zelda Sayre declined his initial marriage proposal because of his poor career prospects.
These snubs combined to become his most characteristic plotline, which typically revolves around the efforts of young men of humble backgrounds to prove themselves worthy of the daughters of a wealthier class.
But as they moved around the world – New York City, Long Island, France – his relationship with Zelda deteriorated, fueled by quarrels and heavy drinking. (1983) Fool for Love. (ed.) James L. W. West III. Cambridge and New York: Cambridge University Press.
_____. Flappers and Philosophers. Taps at Reveille. The Great Gatsby and Modern Times.
The irony is that Braddock Washington’s net worth is far from stable, for his diamond is so large that “if it were offered for sale not only would the bottom fall out of the market, but also, if the value should vary … there would not be enough gold in the world to buy a tenth of it” (Short Stories 193).
(1994). His sense of defeat was the product of several formative setbacks that became the building blocks of his fiction. Dick Diver’s infatuation with ingénue actress Rosemary Hoyt, meanwhile, illustrates the role of the cinema in fostering the unreality of modern life. Washington D. C.: NCR Microcard Books/Bruccoli Clark.
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As such, it is the culmination of several notable stories that explore his ambivalence toward both the industry and the medium, including “Jacob’s Ladder” (1927), “Magnetism” (1928), and a series of 1939-1940 tales featuring failed PR flak Pat Hobby.
Fitzgerald’s nonfiction is also considered a major part of his oeuvre, in particular the Esquire triptych “The Crack-Up,” which ignited controversy in 1936 for its beguiling confessions of squandered talent.
(1979). His second novel, The Beautiful and Damned (1922), traces the decay of an upperclass New York couple, Anthony and Gloria Patch, as they await an inheritance from Anthony’s wealthy grandfather. The result, as Malcolm Cowley observed, is a mixture of a “maximum of immersion” combined with a “maximum of critical attachment” that creates a beguiling aura of ambiguity (“Double Man” 9).
The pinnacle of this trait is The Great Gatsby, in which narrator Nick Carraway stands both inside and outside of the action, at once enabling the enigmatic, nouveau riche Jay Gatsby in his quest to win back lost love Daisy Fay Buchanan with a fortune built from bootlegging and shady bonds while recognizing the unlikelihood of its success.