Enemies neith boyce and hutchins hapgood
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George Cram Cook and Frank Shay (Cincinnati: Stewart Kidd Co, 1921) 132.
(11) Murphy, Provincetown2/18-19. Most dramatic critics attribute to O’Neill’s play Long Day’s Journey Into Night as one of the first American plays to use a playwright’s own life baldly as source material. It models us.”(10) After he owns his egotism and she tries to explain he won’t find what he’s looking for in the illusion of another woman, the play concludes somewhat cheaply with an attempt at comedy.
(2) George Cram Cook, Letter to Susan Glaspell, 12 September 1916, Berg Collection, New York Public Library.
(3) Trimberger, Intimate Warriors 179.
(5) Hapgood, Victorian 395-396.
(8) Neith Boyce, Enemies, in The Provincetown Plays, eds.
Eventually the discussion reveals that, at his core, He is in pursuit to fill “the eternal need of that peculiar sympathy which has never been satisfied,” which she calls the “great illusion,” and it is understood that this is their most basic difference: that what she calls illusion, he calls truth.
(1) Photos of Boyce and Hapgood appear to show them performing the play in the Wharf Theatre; however, in a letter to Glaspell on September 12, Cook describes that the night before the Hapgoods and a photographer “took a picture of Enemies,” and that Cook had gotten Boyce “to arrange the set more like Constancy.” Cook was encouraged by the Nordfeldts to let the two of them play the parts in New York, perhaps insinuating it had yet to be performed, perhaps given a reading that made them all familiar with it.(2) Hapgood discusses the writing of the play in his autobiography, though he writes that it was the summer of 1915 they wrote it; the evidence seems to prove he just remembered wrong.
She indicates it would be unlikely that Boyce would allow how he “belittles ‘modern women’” or offers gender stereotypes in a play she had co-authored. Enemies was originally performed by Boyce and Hapgood for the Players. They confess that their life together has not been boring and they agree on a truce, with He saying at the curtain “Yes, and in a trice.” Murphy astutely observes that the ending “suggests that the flawed order of things that exists at the beginning of the play, contemporary marriage, is irreparable .
The evidence is only that the play is mentioned in the September 10 Boston Globe article. During the pandemic, they started a comedic podcast about grumbling about mundane trivialities. In 2017, he performed in Off-Broadway's "The Government Inspector" starring Michael Urie. Neith Boyce and Hutchins Hapgood had a new play titled Enemies for which there is some evidence to prove it was performed in the Whaft Theatre sometime that summer.
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(12) Barlow, “Susan’s Sisters” 278.
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.”(12)© Jeff Kennedy 2007.
(1) “Many Literary Lights” Boston Globe, 10 September 1916. Its free, but donations are appreciated: https://eastlynnetheatercompany.ticketleap.com/. With Constancy, Boyce’s play from the summer before, presented in the third bill, it makes one wonder if Enemies wasn’t finished in time to present it or if this “extra” performance, of which no date is given in any account, was to try out the play first.
He claims to want union, not perfection, which he believes is possible. In the fall of 2017, he began rehearsals for Broadway's "The Bands Visit," and performed several times in the role of the Band's Leader, originally performed by Tony Shalhoub, and other roles. Titled Grumble Goat, heres the link: https://www.listennotes.com/podcasts/grumble-goat-mat-labotka-veronique-hurley-aLRmhwXbgMB/James Rana, director, is also an actor and a playwright, who has worked in film and television and with theaters throughout the country, including ELTC, where he recently starred in Nothing Matters, a fully-produced Equity production that was rehearsed and filmed during the pandemic.
True to their real life traits, Boyce and Hapgood’s characters seem opposite in temperament: He is talkative and forever questioning; She is quiet and less expressive, which He addressed by saying “I would be more quiet if you were less so—less expressive if you were more so.”(7) He accuses She of spiritual infidelity and clearly sees this as more severe than his sexual infidelities.
Trimberger sees Enemies as focusing more on Boyce’s “concerns with infidelity and male domination of the female psyche.”(3) In evidence that lends more credence to Trimberger’s thesis, Hapgood wrote to Dodge on July 1, 1916 that he was writing, among other things, “a one-act play,” though no evidence of a play written only by him exists beyond Dialogue.(4)
Enemies is, in fact, a “dialogue” that expounds on the philosophies of its male and female characters on love and marriage in the modern world.
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