Emilio_pettoruti_biography

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In 1961, he exhibited in International Constructive Abstract Art, exhibition held at Galerie Denise René in Paris together with the most important international abstract artists. Emilio was greatly influenced by 14th-century Renaissance art, employing the techniques and methods in his abstract artworks.

What Art Movement is Emilio Pettoruti Associated With?

Emilio Pettoruti is associated with the Cubism/Abstract art movement, though, due to his constantly changing style, Emilio refused to associate his art with any label.

Emilio Pettoruti Artwork

Below are some of the artworks of Emilio Pettoruti

The Improviser

Los Blancos

 

Los Caminantes

 

Farfalla

El Quintero

 

Dos Figuras

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He was born on October 1st 1892 in La Plata in the Province of Buenos Aires.

He settled in Paris and exhibited at Durand-Ruel Gallery (1954); in Abstract Art, First Generations 1910-1939, at the Musée d'Art of Saint Etienne (1957); in 50 Years of Abstract Painting, organised by Michel Seuphor, and in other individual shows which approached his work to the people of that city. In 1913, Emilio traveled to Florence, where he studied Renaissance painters and the newly growing futurism painting style.

In his last years, he exhibited in Bonn, Berlin, Brussels and Geneva, among other European cities, and represented Argentina in the XI São Paulo International Biennial in Brazil (1971). In 1947, he was again dismissed from his position as administrator of the Provincial Museum.

He returned to Europe, where he exhibited at Il Milione, Milan (1952); Numero, Florence (1952), and San Marco, Rome (1953) art galleries.

In Paris, he continued painting and exhibiting with prestigious societies and museums. The following year, while participating in the Prima Mostra del Paesaggio Italiano and in the Esposizione Nazionale della Citta di Roma, the work he sent to be exhibited at the Salón Nacional was paradoxically rejected.

In 1911, he held his first exhibition on the premises of the Buenos Aires local newspaper.

Emilio Pettoruti’s caricature portraits impressed viewers, and he earned a scholarship to travel to Italy to study. Indeed, the works Pettoruti showed that year at Galería Witcomb in Buenos Aires gave rise to a heated discussion and opened the way for artistic language renovation.

He ran the Museo Provincial de Bellas Artes in La Plata between 1927 and January 1932.

In 1960, he took part in the Primera Exposiciòn Internacional de Arte Moderno held at the Museo de Arte Moderno in Buenos Aires and also in Construction and Geometry in Painting, exhibition held in New York. In 1906, fourteen-year-old Emilio enrolled at the Escuella de Bella Artes in his birth city, dropping out shortly after.

After taking a course in perspective, he began to exhibit his first works in the show windows of Gath & Chaves department store and to publish them in magazines - La Ciudad and Rayos de Sol. In June 1911, he held his first exhibition at the premises of the local daily paper Buenos Aires, which no longer exists.

Between 1916 and 1917 he lived in Rome where he became friends with the artists of the avant-garde circle gathered around Cronache d'Attualitá and Valori Pastici magazines, among them Giacomo Balla, Enrico Prampolini, Giorgio De Chirico, Carlo Carrá and others, who attended the encounters at the Aragno and Il Greco cafés.

In 1920, he exhibited a synthetic landscape at the XII Biennale Internazionale in Venice. 1971, at the age of 79.

 

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Self-taught, who does not follow regular studies in any discipline, since childhood he is encouraged by his grandfather in drawing and painting. Then he settled down in Milan, where he was admitted to the Famiglia Artistica as socio pittore.

In 1913, he travelled to Florence where he frequented the futurist avant-garde that, at that time, was holding its first Esposizione d'Arte Futurista "Lacerba". He had the job of running the Museo Provincial de Bellas Artes, serving as Director from 1927 to 1947. Then, during his trip to Vienna and several German cities, exhibited in the Der Sturm Gallery in Berlin with great success.

Constantly altering his style and experimenting with different mediums, Emilio was known for varying types of artworks during different periods. Two years later, a scholarship from the government of the province of Buenos Aires allowed him to travel to Europe.

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