Ecco la primavera di francesco landini biography
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Several of the dancers were sons and daughters of the guests.
Listen to Ecco la Primavera, performed by Catalina Vicens and Enea Sorini.
Below are the lyrics, along with my translation using Fioro’s 1611 Italian/English dictionary. Having a republican lineage for this city at that time was important in the face of the despotic regime which intended to dominate it.
Francesco and His Music
Da Prato describes Francesco Landini as a theoretical and practical musician, blind from his birth, who had an almost divine intellect which allowed him to master the subtle proportions of musical numbers, which with his organ he practiced with such sweetness and purity that his music seemed out of this world when heard; moreover, he discussed with the philosopher and artist guests not only about his music, but also about every liberal art, because he was well versed in all of them.
At the time of this sojourn, Francesco was organist at San Lorenzo Church in Florence (where he was later buried).
Her name reminds us of that day when, after Mass, friends heard Landini’s splendid and luminous music.
With regards to Florence and Milan, most of the guests at Villa del Paradiso used their intellectual skills to combat Milan’s power. While this work may contain some historical fiction, it is worth exploring to understand the effects which Landini’s music produced on his audience.
The recovered manuscript, known as Il Paradiso degli Alberti (1426), written by Giovanni di Gherardo da Prato, describes in Book III the experience of this ideal circle of friends, which we will explore — how they got to the villa, who they were, how they were received and, finally, how they reacted to the wonderful music they heard.
While there are other literary works that give detailed descriptions of the way music was executed in trecento Italy, such as Boccaccio’s Decameron (1353) and Simone Prodenzani’s Il Saporetto (ca.
The meadows are luxuriously covered by grass and flowers, and the trees are ornated in leaf and bloom. Even today, the location of Villa del Paradiso is set on green space at the edge of Florence — exactly where the Convent of Santa Brigida al Paradiso now stands (see map).
Map by Leonardo da Vinci showing the location of “paradiso” relative to Florence (source)
The Hosts
Antonio di messer Niccolò Alberti (ca 1354-1415) was the host; he personally invited his friends to a three-day sojourn at his magnificent villa.
This video with the Harpa Dei sacred music choir shows how it must have felt to participate in a celebration at a house chapel.
The guests proceeded to sit in plush chairs in the garden next to the fountain surrounded by fir, pine and cypress trees, where they enjoyed good wine, fresh cold water and delicacies, including soft and delicious fruits: cherries, melon, and figs.
On sent en vous une vraie musicienne : vous êtes radieuse.” (It’s magnificent: what beautiful music, and at the same time what simplicity! He later became ambassador of Florence to Milan and forged alliances to defend Florence in case war broke out.
Biagio Pelacani (1355-1416) was a mathematician, philosopher and astrologer from Parma.
We feel in you a real musician: you are radiant)
In conclusion, it is possible to generate similar effects (according to our tests) as those experienced by the illustrious guests as reported in Il Paradiso degli Alberti, with the only missing ingredient being the incorporation of nature’s sounds — and her reaction. He was a Florentine banker, merchant, politician, intellectual, rimatore (maker of rhymes), and teacher of algebra and astrology.
His father Niccolò (1327-77) was known in Florence as the “father of the poor” for his charitable works, which included the founding of a hospice for the poor, the Ospizio di Orbatello, adjacent to Santa Maria Annunziata.
The Alberti were a leading merchant family in Florence, owners of a trading company with branches in multiple cities: Bologna, Genoa, Venice, Barcelona, Paris, Brussels, London, Syria and Greece, among others.
I wanted to choose something secular since all I had listened to by Landini before was sacred. In his time, only a few Latin translations of philosophical works, arriving from Toledo and Sicily, were available. His Quaestiones de perspectiva (ultimately resting on Ibn al-Haytham’s research in optics) influenced masters of the Renaissance.
Arrival at Villa del Paradiso
Upon their arrival, all went inside the Villa’s chapel where a priest celebrated Mass.
1400), none is directly connected with a composer as brilliant as Landini.
The Way to Villa del Paradiso
The year 1389 was a year of peace; everyone in Florence was celebrating. It breathes and sings very much like the human voice.”
“Music from another world.”
“Un ange de la Renaissance qui redescend sur terre et nous livre cette musique de louange!” (A Renaissance angel who comes down to earth and gives us this music of praise!)
“C’est magnifique : quelle belle musique, et en même temps quelle simplicité !
The ballata is in a triple meter, which is typical of many dance rhythms from this period, and it is written for three voices: the tenor (a cantus firmus) and two upper voices.
They saw in the garden diverse and strange animals, and felt as if they were in the most beautiful paradise, according to Da Prato.
Among the topics of conversation, one that stood out was on the foundation of Florence: was it founded during the Roman Republic? He furthered the development of perspective. Salutati is known as the “inventor of humanism” for his ability to draw on the deep roots of Antiquity while not being a prisoner of an “antiquarian” mindset — he had a fresh and original writing style formed on the classics but not slavish to them.
Coluccio Salutati
He also played a key role mentoring younger humanists.
It celebrates the arrival of spring, with its characteristic lively and joyful mood, which is a common theme in medieval music.
Ecco la primavera
Date:
c.