Bufera e altro eugenio montale biography
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In Xenia(1966) Montale dealt with love and marriage. His first collection of poetry was OSSI DI SEPPIA (1925, Bones of the Cuttlefish). His early life was marked by a sense of isolation and melancholy, which would later become recurring themes in his poetry.
Montale studied at the University of Genoa, where he initially pursued a degree in opera singing.
During World War I he served as an infantry officer on the Austrian front. Loosely, the term denotes obscure, difficult poetry, in which the symbolism and images are subjective and the words have emotionally suggestive power.
Eliot knew Montale’s work and published a translation of Montale’s ‘Arsenio’ in an early number of The Criterion.
After the war Montale moved to Milan, where he wrote the literary page for Corriere della sera, the most influential Italian daily newspaper. Montale was also a student of music – especially bel canto.
Politicians he despised, and he was sarcastic about every “cleric, red or black”. In his work, Montale focused on the dilemmas of modern history, philosophy, love, and human existence.
Eugenio Montale was born in Genoa.
Poet
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Author: Kaj Hagman. His later work continued to receive critical acclaim for its complexity and artistic sensitivity.
Eugenio Montale passed away on 12 September 1981, in Milan, Italy.
Eugenio Montale Books
Eugenio Montale, one of Italy’s most celebrated 20th-century poets, has left a lasting legacy through his remarkable literary contributions.
/ But if it was yours it was someone’s, / yours, who are no longer form, but essence.”
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Nobel Prize for literature
Eugenio Montale (12 October 1896 – 12 September 1981) was an Italian poet, prose writer, editor and translator. Upon to his return to his family home, Montale took up singing again.
His wife, called Mosca (fly), had died in 1963, and in the title poem of the collection he wrote: “They say my poetry / is a poetry of unbelonging. After the death of his voice teacher in 1923, he abandoned his operatic hopes, and started his literary career by writing for several publications.
A white dove has landed me
among headstones, under spires where the sky nests.
Dawns and lights in air; I’ve loved the sun,
colors of honey, now I crave the dark,
I want the smoldering fire, this tomb
that doesn’t soar, your stare that dares it to.He was especially impressed by Eliot’s poem The Waste Land, which he translated into Italian. Montale withdrew from public life and spent the following years translating into Italian such writers as William Shakespeare, T.S. Eliot, Herman Melville, Eugene O`Neill and others. The love poems of The Occasions are about “Clizia” who has been identified with Irma Brandeis, a Jewish-American scholar of Dante, whom Montale met in the 1930s and who appeared as his Beatrice or Laura in several of his poems.
With his difficult, pessimistic, and obscure poems Montale was superficially associated with his contemporaries Giuseppe Ungaretti and Salvatore Quasimodo representatives of hermeticism in poetry.
The Italian writer Italo Calvino has called Montale’s LA BUFERA E ALTRO (1956) “the finest book to have emerged from the Second World War”. However, he later shifted his focus to classical literature and philosophy, which had a profound influence on his poetry.
Montale’s career as a poet began to take shape in the 1920s when he published his first collection of poems, “Cuttlefish Bones” (1925).
In the following collections, such as OCCASIONI (1939, The Occasions), Montale’s expression grew more subjective and introspective. The website also covers Entertainment across the India and World.
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Originally Montale aspired to be an opera singer, but he also was interested in literature, especially Italian classics, French fiction and such philosophers as Arthur Schopenhauer, Benedetto Croce, and Henri Bergson.Montale was married to Drusilla Tanzi; she had separated from her husband in the late 1930s, but Montale and Tanzi were not married until in 1958, after her husband died.