Bertolt brecht biography riassunto su bertold
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In 1918, at age twenty, he completed his first full-length play, Baal. Produced only two years after Brecht's famous work Man equals Man, the play represents a new style for Brecht.
As a theatre director, he was heavily influenced by his contemporary and fellow German director Erwin Piscator. During this time he wrote a great deal of work that protested the National Socialist and Fascist movements, such as Galileo, Mother Courage and Her Children, The Good Person of Szechwan, The Resistible Rise of Arturo Ui, The Caucasian Chalk Circle, and Fear and Misery of the Third Reich.
Brecht died in 1956, of a heart attack at the age of 58. Brecht described this ideal as the Verfremdungseffekt—variously translated as "alienation effect," "de-familiarization effect," or "estrangement effect." It is the opposite of the suspension of disbelief. To cite this article click here for a list of acceptable citing formats.The history of earlier contributions by wikipedians is accessible to researchers here:
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Though he had not been a member of the communist party, he had been deeply schooled in Marxism by the dissident communist Karl Korsch, and his communist allegiances were sincere.
He also found the experience of living in a Stalinist state far different from what he had imagined in exile, when he composed works such as Die Massnahme(The Measures Taken), which glorified the self-denying infallible vanguard party, justifying the political decisions made by the Comintern that resulted in the spectacular failure of the revolution in Shanghai in 1927.
She also became an actress and currently holds the copyrights to all of Brecht's work.
Initially, Brecht was one of 19 witnesses who declared that they would refuse to testify about their political affiliations.
Brecht wrote very few plays in his last years in Berlin, none of them as famous as his previous works. The day after his testimony Brecht took a previously scheduled flight to Europe.
However, despite writing three mature masterpieces there—The Resistible Rise of Arturo Ui, The Good Person of Szechuan, and The Caucasian Chalk Circle—he struggled to secure a theatre space to properly rehearse and stage his works.
As anti-communist sentiment gripped the United States following the Second World War, Brecht found himself under scrutiny by the House Un-American Activities Committee (HUAC) in September 1947.
Set in Chicago, it portrays the...
The Measures Taken and Other LehrstuckeBertolt Brecht
The Measures Taken was written between the years of 1929 and 1930. So did Brecht's first great play, Saint Joan of the Stockyards, which attempted to portray the drama in financial transactions.
Cold War and East Germany
In the years of the Cold War and "red scare," the House Un-American Activities Committee called Brecht to account for his communist allegiances, and he was soon blacklisted by movie studio bosses. Instead, he wanted his audiences to use this critical perspective to identify social ills at work in the world and be moved to go forth from the theater and effect change.
He worked primarily in a genre of theater called "epic theater," known for its eschewing of psychological realism in favor of more didactic narrative, in which scenes are interrupted by analysis, argument, or documentation.
Brecht was born in Augsburg, Bavaria in 1898 to a Protestant mother and a Catholic father. Instead, he wanted audiences to use this critical perspective to identify social ills in the world and be moved to take action and effect change.
He believed that the experience of a climactic catharsis of emotion left an audience complacent.