Antonio vivaldi biography shqiptarja
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But in his concertos the "program" does not determine the formal structure of the music. The Concerto in B-flat major, RV 547, featuring violin and cello soloists, is a fine example of his mature work; in it we hear many of the idiosyncrasies that made Vivaldi’s style unique.
Vivaldi: Concerto in B-flat major for Violin, Cello, Strings, and Continuo, RV 547
Late Period: Increasing Challenges, Diminishing Returns
By the early 1730s, Vivaldi’s star was waning.
He showed exceptional talent in both playing and composing music, leading him to pursue a religious education. He went, among other places, to Vienna, Italy, from 1729 to 1730 and to Amsterdam, Netherlands, from 1737 to 1738.
Some of Vivaldi's concertos are pieces of program music, for they give musical descriptions of events or natural scenes.
Antonio Vivaldi: The Red Priest of Venice. Around this time, Vivaldi was prevailed upon to compose sacred vocal works for the Pietà during the absence of the official maestro di coro and the long interregnum while the post remained unfilled—from 1713 to 1718. This immediate baptism was indicative of his fragile health, which plagued him throughout his life.
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Early Life and Family
Antonio Lucio Vivaldi was born on March 4, 1678, in Venice, Italy, into a musical family. In a Vivaldi concerto, the orchestra is essentially a string orchestra, with one or two harpsichords or organs to play the thorough-bass.
1715), contain extraordinarily inventive music, enhanced considerably by his expertise in writing for instruments and his new abilities with opera arias.
The Height of Achievement
From 1718 to 1720, during his residence in Mantua as director of secular music at the ducal court, Vivaldi mostly composed chamber cantatas and instrumental pieces.
His role at the Pietà was multifaceted; he was a violin teacher, composer, conductor, and impresario.
Vivaldi's work at the Pietà was highly innovative. A few years later he was made conductor of the orchestra at the same institution. He was buried in a simple grave, his death going largely unnoticed by the musical community at the time.
Rediscovery and Legacy
For many years after his death, Vivaldi's music was largely forgotten.
He wrote the majority of his sonatas for one or two violins and thorough-bass. In Rome, he performed for Pope Benedict XIII, enhancing his reputation further.
Despite his success in Italy, Vivaldi sought opportunities abroad. Vivaldi had by 1730 stopped preparing compositions for publication; he claimed that he could earn more by selling manuscripts of individual concertos for one guinea each.
His ambitions in the commercial business of opera now became the dominant driving force of his career, for which he preferred to operate as theater impresario and musical director, as well as composer.
The orchestra in Vivaldi's time was different, of course, from a modern one in its size and constitution. Antonio later recounted that suffered from a "tightness in his chest" that made him walk with difficulty.
Some musical material may imitate the call of a bird or the rustling of leaves; but the formal plan of the concerto is maintained.
It was common for a poor family to give at least one son the 'privilege' of a free education and the respect of a certain social position.
Vivaldi's music
Vivaldi was very productive in vocal and instrumental music, sacred and secular (nonreligious).