Alfred de musset biography complete metamorphosis
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Fortunio, a four-act opera by André Messager is based on Musset's 1835 comedy Le Chandelier.The libretto of Mary Rosselli Nissim’s opera Andrea del Sarto (1931) was by Antonio Lega based on writings by Musset.[9]Les caprices de Marianne, a two-act opéra comique by Henri Sauguet (1954) is based on the play by Musset.[10] The opera Andrea del Sarto (1968) by French composer Daniel-Lesur was based on Musset's play André del Sarto.
Famous plays such as “On ne badine pas avec l’amour” (No Trifling with Love) and “Lorenzaccio” explore love, freedom, and moral conflict.
Musset’s dramas often focus on young characters struggling with their desires and societal expectations. Musset’s blend of irony and sincerity opened new ways for writers to express personal feelings.
In drama, Musset’s works paved the way for modern psychological plays.
In 2007, Céline Dion recorded a song called "Lettre de George Sand à Alfred de Musset" for her album D'elles. pp. 122–123. There, he met many young writers and artists who later became famous. "Alfred de Musset." In: French Poets and Novelists. London: Macmillan & Co., pp. 1–38.
He entered the collège Henri-IV at the age of nine, where he won in 1837 the Latin essay prize in the Concours général. The language is simple but poetic, full of delicate imagery.
Poésies nouvelles
In “Poésies nouvelles,” Musset continued to explore romantic themes. "5. He speaks directly to the reader or to a loved one, making the emotions feel immediate and real.
These difficulties added a tone of melancholy to his work.
Despite his troubles, Musset remained devoted to literature until his death in 1857 at the age of 46.
Conclusion
Alfred de Musset stands as one of the most important French poets of the 19th century. Retrieved 7 May 2015.
With the help of Paul Foucher, Victor Hugo's brother-in-law, he began to attend, at the age of 17, the Cénacle, the literary salon of Charles Nodier at the Bibliothèque de l'Arsenal. Aortic regurgitation murmurs".
His plays are noted for their psychological depth and poetic dialogue.
Musset Compared to His Contemporaries
To understand Alfred de Musset’s place in 19th-century French poetry, it helps to compare him to other important poets of the time.
Victor Hugo
Victor Hugo (1802–1885) was the leading figure of French Romanticism.
Director Jean Renoir's La règle du jeu (The Rules of the Game) was inspired by Musset's play Les Caprices de Marianne. After attempts at careers in medicine (which he gave up owing to a distaste for dissections), law,[1] drawing, English and piano, he became one of the first Romantic writers, with his first collection of poems, Contes d'Espagne et d'Italie (1829, Tales of Spain and Italy).[1] By the time he reached the age of 20, his rising literary fame was already accompanied by a sulphurous reputation fed by his dandy side.
On his death in 1857, Alfred de Musset was buried in Le Père Lachaise Cemetery in Paris. His characters’ inner conflicts anticipated themes in later literature and theater.
Personal Life and Its Impact on His Work
Musset’s personal life greatly affected his writing. International Encyclopedia of Women Composers.