Vyacheslav akhunov biography for kids
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In Leniniana, representations of the famous leader are inserted into minimal drawings, creating an imaginary 'political' landscape. Then the image zooms back into the screen and the ascent in the “real” scenery begins once again from the start, just like in real life, where we are forced to go through difficulties over and over again.
The work “Corner” is somewhat the inverse of this idea.
That was the impulse for him to get involved in art. In his own words, he “poisoned” himself with art – entering Art school in Bishkek (former Frunse), then changing to the Art Academy in Moscow he finally returned to Fergana and participated in various art exhibitions. Another series of collage-drawings, Fly-Beat Revolution (1977), uses the design of hand-held flyswatters as a backdrop against which the artist places state signs and symbols, portraits of revolutionary figures and members of the Politburo.
He is marked by the thoughtful, hedonistic charisma of a poet, philosopher, glutton, and Don Juan. With the virtuosity of an academic art school graduate, Akhunov depicts elegantly and convincingly a modern Usbek army guard standing at the Tamerlan Gates facing a Vereshchagin warrior of the guard of honor from times long past. A clear example for this is his work “Cage for leaders” – an installation presenting a cage stuffed full of 250 polystyrene busts of Lenin.
The artist uses many sources to make his collages: books, art magazines, newspapers, albums, and posters. His practice is comprised of collage, painting, installation, performance and moving image,","og:url":"https://aspangallery.com/en/artists/akhunov","og:image":"/images/covers/artist/16/square_akhunov_1.jpg","og:image:width":392,"og:image:height":392}
Vyacheslav Akhunov
Antrepo No.3
Tobacco Warehouse 1 & 2
Feriköy Greek School
Born in 1948, Och.
Lives in Tashkent.
Vyacheslav Akhunov is an artist, writer and philosopher, whose work comprises collages, paintings, installations, performances, actions and video, as well as numerous essays and novels. Akhunov’s work is so diverse in form that a strict classification is impossible.
Since 2000 Akhunov has been investigating the possibilities of new media, especially video. He has authored novels, essays, and poetry compendia, and is a regular at literature festivals and on literary websites.
Akhunov writes extensive texts, in which the protagonists cannot for the world understand if the world they are living in is real or imagined.
He says: “I have always fled collectivism, that means a place where a collective is working on something. By deconstructing the language of political rhetoric the series outlines the narrative of the political history of the USSR. He uses the typical iconography of the Socialist propaganda of the Soviet period, subverting the then dominant ideology through the manipulation of propagandistic images.
It is characteristic for Akhunov that other similar objects of his have usually only been shown in his studio. Should it be a mosque, a museum, or an office, the type of building or space makes no difference.
Both pieces include exotic elements from Central Asia: Muslim attributes, a Medresa (legal and theological place of education), a cupola, buildings made of clay bricks, an Usbek shirt and the protagonist’s headdress are merely attributes identifiying the authors.
Collages, dipinti, installazioni, performance, video e anche saggi sono i tanti linguaggi usati da quest’artista, scrittore e filosofo per raccontare la sua visione della realtà sovietica.
Negli anni ’70 Vyacheslav Akhunov ha scritto diversi saggi sulla sua arte che lui stesso ha definito come social-modernism, che vengono divulgati durante la mostra di Milano.
Durante il regime sovietico, poiché la libera espressione artistica era politicamente pericolosa nell’ambiente socialista, al fine di proteggere la sua integrità di artista, Akhunov ha scelto di proporre e raccogliere la sua produzione in un nuovo formato: un notebook.