Tina maristela ocampo biography
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“He wanted to capture the lines of the pool.”
This image ended up being one of Sari-Sari Store’s most popular. Or I want you to be Joan Crawford from Mommie Dearest.'” The latter is the 1981 horror biopic chronicling the 1920s Hollywood actress Joan Crawford and the strained relationship between her and her daughter.
Nails by New Lounge. When she danced and sang, she was always in a pouf dress. At the end of every shoot that we have—the three of us—I don’t get tired. Off-camera, she is gentle, smiley, nurturing, elegant without effort. Special thanks to Henri Calayag. This is the glamour look.
“As a union we are vocal with our rights, as an association, we have a vision of what we want to become in the future,” she once stated. “See, that was always what we shared [between] the three of us,” Ocampo says, giving a knowing smile. Photographed by Neal Oshima
Tina wears a pair of DE BEERS earrings, PLEATS PLEASE by Issey Miyake, and her own pewter satin PRADA shoes.
Photographed by Neal Oshima
In this image, Tina looks poised, propped up comfortably by her spotted Prada heels. “This was way back before he even became a bag designer in New York. “I embrace it because it’s inevitable. So that’s the concept: freckles and diamonds go together.”
That was always their process: If one person had an idea, another would build on it until they captured an image that felt right.
She and one other model had a call time of 4 in the morning; they had to wait in the pitch black.
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“But because I was a model before, I was able to also acquire a lot of good taste, a lot of fashion sense, a lot of beauty skills to make myself really more like knowing how to take care of myself.”
Her return to the spotlight is not an act of resistance against time, but a meditation on its gifts. Neal Oshima’s expertise in lighting gave life to the earrings I’m wearing.”
Tina wears a pair of earrings and a ring from DE BEERS and an ANNA SUI dress from MIX.
Photographed by Neal Oshima
In Tina’s home office, there is a version of this photo with her eyes shut and her hand over her face; it’s still in black and white, but her eye shadow is a fluorescent blue. We were at the mercy of the sun.”
Tina wears INGGA by Ernest Santiago for Sari-Sari Store. He likes to argue, so the communication between the three of us is very different because we argue not in front of the camera but [right] before.
“Now, I discovered from Lala Flores that all you need is your ring finger, just keep on tapping concealer lightly on the creases.”
A full circle moment
What does it mean to model again after nearly four decades away? “No, I’m just joking.