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For him, it will be the cello, and the horn.
The little boy’s name is Johannes Brahms. It is 1843, he is ten years old, and he is already an accomplished pianist. He also played a solo etude by the fashionable and flashy Henri Herz. The pay would be better, the conditions generous: five months free in the summers, permission to travel for concert engagements during the rest of the year, and an orchestra at his disposal.
The family moved frequently – too frequently for Frau Brahms’ wishes, and in her view Johann Jakob bought furniture and musical instruments the family neither needed nor could afford. In the long run, however, it was Clara Schumann who set his career on track, because it is she who had all the aristocratic and wealthy connections anyone could want, and who gave Brahms the all the openings he needed.
He was now going to have to schedule two long rehearsals instead of three shorter ones, and his players were not happy. He gave piano lessons, arranged operatic potpourris for a local publisher, and gave a brilliant debut recital at age 16. Grimm developed an intense appreciation of the essays of America’s first great man of letters, Ralph Waldo Emerson, and was Emerson’s first German translator.
67) was the subject. That year, 1853, changed his life dramatically. In his letter to Adler, Brahms could barely bother to answer the musicological question, but went straight to what concerned him. If he performed reluctantly, he never gave it up altogether, eventually conducting and performing his new works on tour every year. She sits on the Board of Directors of the American Brahms Society.
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She wrote the entry for Brahms in the “Oxford Companion to Music.” As a cellist, she has played with the Seoul Symphony, the American Symphony, the New York City Opera Orchestra, the Queens Symphony, and many chamber groups.(Did I ever think I would be reading up on Hamburg’s brothel laws?!) So the stories of the young Brahms being hauled out of bed at night for brothel gigs are simply absurd, even ignoring the fact that parents who were willing to spend precious cash on primary school education, at a time when schooling was not mandatory, were hardly likely to expose him to such sordidness.
At age 14, however, Brahms did leave school to begin his career as a working musician, a role never abandoned in one form or other until the last summer of his life.
In 1875, while engaged as conductor of the orchestra of Vienna’s Gesellschaft der Musikfreunde, one of his three planned rehearsals for a performance of Bach’s “St. He plays many instruments: flute, violin, viola, flugelhorn and double bass. It was a Republic, the Free and Hanseatic City of Hamburg, and no wealthy person there was interested in promoting the career of the son of a poor local working musician.
Did I mention that he composed?
In this case the “Third String Quartet,” (Op. Adler’s copyist for the project was Brahms’ own copyist for the last decade of his life, a fellow Hamburger, someone Brahms knew well.