# sonny boy williamson ii biography book
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The name game continued; on his passport, he was “Sonny Boy Williams,” and he was often billed in Europe as Sonny Boy Williamson II.
He greatly enjoyed the appreciation of European blues fans, touring in Denmark, Germany, and Poland and performing in several concerts with the Animals and the Yardbirds. This 3-digit code is your CVV number / Card Security Code.
He took his stepfather Jim Miller’s surname. During this period, he was known both as Willie Miller and as Willie Williamson, among other names and nicknames.
In November 1941, Williamson began playing with Robert Lockwood Jr. on King Biscuit Time, where he starred on and off for more than twenty years.
Williamson soon became King Biscuit Time’s most famous performer. In 1980, he was inducted into the Blues Foundation Hall of Fame.
Mitsutoshi Inaba offers the first full-length biography of this key figure in the evolution of the Chicago blues. The sponsor, the Interstate Grocery Company, was soon marketing Sonny Boy Corn Meal, with the harmonica-wielding blues musician displayed on every bag.
Despite these successes, Williamson did not record until 1951, when Lillian McMurry’s newly established Trumpet label in Jackson, Mississippi, issued “Eyesight to the Blind,” “Mighty Long Time,” “Nine Below Zero,” and “Mr.
Interviews with Sonny Boy's family members and his last harmonica student provide new insights into the character of the man as well as the techniques of the musician.
John Lee "Sonny Boy" Williamson: The Blues Harmonica of Chicago's Bronzeville provides fans and musicians alike an invaluable exploration of the life and legacy of one the Chicago blues' founding figures.
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http://www.msbluestrail.org/blues-trail-markers/sonny-boy-williamson (accessed July 26, 2023).Thomas, Lorenzo.
Unfortunately, his popularity and recording career ended on June 1, 1948, when he was robbed and murdered in Chicago, Illinois. New York: Viking Press, 1981.
“Sonny Boy Williamson.” Mississippi Blues Trail. Recording for the Bluebird Records and RCA Victor labels, Sonny Boy shaped Chicago's music scene with an innovative style that gave structure and speed to blues harmonica performance.
He is buried in Tutwiler, Mississippi, where the birth date on his tombstone is almost certainly incorrect and the death date wrong beyond any doubt. His real name was Aleck Miller; he was apparently sometimes called Rice, and he was most likely born in 1912 in Glendora, Mississippi, to Millie Ford. “For Bluesman Sonny Boy Williamson, Pass the Biscuits One More Time.” Arkansas Times, June 1979, 24–31.
Robert Cochran
University of Arkansas, Fayetteville
This entry, originally published in Arkansas Biography: A Collection of Notable Lives, appears in the CALS Encyclopedia of Arkansas in an altered form.
You should see either the entire 16-digit credit card number or just the last four digits followed by a special 3-digit code. His recording in 1937 of "Good Morning, School Girl," followed by others made him a hit with Southern black audiences who had migrated north. As a very young child, he taught himself to play harmonica; by the age of six or seven, he was performing at church events and local parties, apparently billing himself at the latter as Reverend Blue.
For more than three decades, he was an itinerant musician, working as a solo act and in association with a host of other now-famous bluesmen, especially Sunnyland Slim, Elmore James, Robert Johnson, Howlin’ Wolf, and Robert Lockwood Jr.
He traveled throughout the South, working carnivals and lumber camps as well as juke joints and street corners in Mississippi, Arkansas, and Tennessee. This 4-digit code is your Card Identification Number (CID). Down Child,” among others. Deep Blues. He probably played in New Orleans, Louisiana, in the 1920s and almost certainly appeared on the radio in southern Illinois in the late 1930s, but his claim to a 1930s appearance on the Grand Ole Opry in Nashville, Tennessee, has never been verified and is almost certainly apocryphal.
Williamson’s fame spread, particularly through Europe, in the 1960s and has continued to grow since his death.