Silvio soldini biography of william
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Director of photography Renato Berta gives the images a brownish quality typical of the war classics of the 1970s. Over the course of the film, the character becomes friends in particular with the shy and detached Elfriede (Alma Hasun).
The recurrent image that stays most in the mind of the spectator is that of the seven women sitting around the laid table, controlled by the SS soldiers, and the cook (Boris Aljinović) presents the dishes and shares some details of the Führer’s preferences (“he goes crazy for chocolate”).
Mai 1963 in Legnano bei Mailand) ist eine italienische Schauspielerin. No one knew this until December 2012, when 95-year-old Margot Woelk broke her silence and told an interviewer from the Berliner Zeitung that she had been one of these women.
Review: The Tasters
- In his first period drama, Silvio Soldini focuses on the point of view of a group of women who, in the ruthless collective deception of nazism, suffer male violence and oppression
Obsessed with the idea of getting poisoned, Adolf Hitler had at his disposal an entire team chosen from young Aryan women to taste his food.
Doesn't this remind us of the words of a leader who was shot in the ear last July?
The Tasters is an Italian-Belgian-Swiss co-production by Lumière & Co. in association with Anteo, in co-production with Tarantula and Tellfilm, in collaboration with Vision Distribution, who also handles the film’s international sales, and Sky.
(Translated from Italian)
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Massironi — Marina Massironi (* 16. Sommaire 1 Biographie … Wikipédia en Français
Silvio Soldini — (* 1958 in Mailand) ist ein italienisch schweizerischer Regisseur. When news arrives that Gregor is lost in Ukraine, Rosa loses all interest in her own future and, as if to chase away the idea of death, she abandons herself to a secret relationship with the SS lieutenant Ziegler (Max Riemelt).
November 1954 in Neapel) ist eine italienische Schauspielerin. Rose “the Berliner” is at first regarded with suspicion but then accepted, thanks to a shared destiny with the other girls, terrorised by the task that has been ascribed to them.
Soldini est un nom de famille d origine italienne notamment porté par : Mario Soldini (1913 1993) est une personnalité politique suisse originaire du … Wikipédia en Français
Maglietta — Licia Maglietta (* 16. Sie sammelte ihre erste Bühnenerfahrung… … Deutsch Wikipedia
Schweizer Filmpreis/Bester Spielfilm — Sämtliche Gewinner des Schweizer Filmpreises in der Kategorie Bester Spielfilm sind: Jahr Preisträger für den Film Nominierungen 1998 Clemens Klopfenstein Das Schweigen der Männer Nicolas Wadimoff und Denis Chouinard für Clandestins Nadia Fares… … Deutsch Wikipedia
List of film directors from Italy — The following is a complete list of film directors from Italy.
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Soldini, Silvio
Soldini, Silvio — (1958 ) Screenwriter and director. It was there that he produced his first prize … Guide to cinema
Silvio Soldini — Pour les articles homonymes, voir Soldini.
Licia Maglietta studierte zunächst Architektur, bevor sie ihre Tanz und Schauspielkarriere am Theater begann. One of the most impressive of the younger filmmakers to emerge in the mid 1980s, Soldini was born in Milan but studied film and television at New York University. Rosa has escaped the capital for a more secure place, while her husband Gregor is on the Russian front.
As in The Zone of Interest [+see also:
film review
trailer
film profile], the centre of pure evil is very close but invisible, yet here the tension that should result from barbarism beyond the barbed wire never reaches a warning level and it erupts rather hastily and hesitantly, with the revelation of the presence of a Jewish fugitive in the group of women.
In his first period drama, shot in German, Soldini focuses above all on the point of view of women, respecting the novel and the screenplay that centres around the sisterhood of women who, within a great, ruthless totalitarian collective deception collapsing miserably, suffer for being involved in that merciless male hallucination, and a violence that in the end always sees them as victims, in all wars and across time.