Sasthi brata biography of martin luther

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6. He held various jobs to support himself, from being a salesman for air conditioners to a lavatory attendant, postman, and kitchen porter.

These experiences, though humble, enriched his perspective and added depth to his writing. The list is incomplete. Chukker initially sets himself up as a Guru in New York, and makes a good living.

The difference between the true artist and the pub bore is that the writer has a sure grasp over the instruments of his trade—words, sentences, paragraphs, syntax, metaphor, melody—and is then able to select, assemble, and present a somewhat more ordered and appetizing version of the world than the chaotic, often repetitive jumble of experiences from external reality which make up his raw material.

All my fiction has been supremely autobiographical.

There are no rules in the use of language of course, but I would rather stick within certain wide but strictly defined limits, than stray into those unexplored territories where the arcane, obscure, or simply fraudulent vendors ply their wares. Despite his scientific background, Brata’s passion for literature and writing overshadowed his academic pursuits.

Since he is an artist, he has used his imagination, but he has not necessarily let you into the secret of where the fictive imagination begins or where empirically verifiable reality ends.

There was a time when I used to be irked by attacks on the high sexual content in my writing. This divergence from a conventional career path set the stage for his unique literary voice to emerge.

The Literary Genesis

Brata’s entry into the literary world was marked by his first book, “My God Died Young,” an autobiographical account written at the age of 28.

Through high-pressure promotion with the help of an influential literary agent Chukker wins the Pulitzer Prize, is nominated for the Nobel Prize, manages one for Peace, and is ultimately elected President of the United States.

Brata has also published a collection of stories; most of them are like his novels (some have appeared, with modifications, as chapters in his novels).

Apologies to neither group.

I would call myself a "radical traditionalist" as a novelist, if only because to be a successful "experimental" writer, in the sense that Joyce and Borges are, requires a poetic sensibility I do not possess.

Brata's books are quite readable; his style is racy and adequate for his purpose, which is generally limited to describing the exploits of his hero in bed. It was an ambitious attempt to inform a western reader, within the compass of a single book, everything that he or she might wish to know about the country, spanning the whole gamut of history, religion, art, politics, etc.

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