Russian jamaican producer biography for kids
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They all do different things. I was more the beatmaker. On the contrary. This skill has made him a go-to producer for artists looking to create hits that appeal to both Caribbean and Latin audiences.
In addition to his production work, Rvssian is also an accomplished songwriter and multi-instrumentalist, giving him a deep understanding of melody and rhythm.
It was I-Tall’s brother Ricky who gave him the name Rvssian as well as the catch-phrase “Head Concussion” which would later become the label for his own productions. There’scertainly no looking back now. Even with dancehall, what happened five years ago is not happening now. Let me dabble in this.”
What’s the last production placement to level up your career?
It’s a little tricky to say because some songs might give me more followers on Instagram.
The success of Krippy Kush marked a pivotal moment in Rvssian’s career, opening doors to collaborations with other Latin heavyweights like Anuel AA, J Balvin, and Ozuna.
Mastering the Art of Fusion
What sets Rvssian apart from many producers is his ability to seamlessly fuse different genres while retaining the authenticity of each.
His million-dollar ears, in fact, have shaped such a wide cross-section of global music that one could be forgiven for wondering which section of Earth he calls home.
His celebrity in Jamaica reaching the stage that he was in demand as a vocalist in his own right, Rvssian was soon looking abroad in search of new targets for his ambition, shifting his production base to Atlanta, then Miami.
Some songs might not even do as well, but culturally, it’s more respected. Having developed artists from Japan, Italy, Jamaica and across Latin America, his collaborations with reggaeton artists such as Bad Bunny , Faruko and Rauw Alejandro not only positioned them as global stars in their own right but launched the hybrid genre of Latin Trap in the process.
Don’t think you’re larger than life, and also remember that we’re all human. What’s your goal with the company?
I started that company; my cousin gave me the name in the kitchen one day. So when they heard that, and they could vibe to it, even without understanding what it was saying, they realized music is bigger than what they know.
People started researching what else is out there.”
In 2017, FADERdubbed Rvssian a “dancehall prodigy,” turning over a new leaf as a Latin trap and pop production star. It’s the same keys on every keyboard, for every genre. “My experience has justshown me that skies are limits.”
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Many of his productions from this period still dominate dancehall sets some 10 years on, including “Whine & Kotch” ( Charly Black & J Capri, 2012); “Pull Up to Mi Bumpa” (Konshens & J Capri, 2013). His beats often incorporate elements of dancehall, reggae, Latin trap, and reggaeton, resulting in a unique sound that resonates across different cultures.
Then some songs will give me more [subscribers] on YouTube. Just as many of the genres he’s touched can ultimately trace their roots to sound systems of Jamaica, Rvssian, too, is a product of the “little island with the big sound.”
Born and raised in the island’s capital Kingston, Rvssian comes from a musical bloodline. So, if I’m working on a Latin song or a Latin trap song, I listen to what else is going on and add my influence or add something that’s missing.