Rinat ibragimov biography of rory gilmore
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This isn't just wishful thinking; it’s an exploration of the profound emotional landscapes he crafted. He studied with George Favorsky at the Ippolitov-Ivanov State Musical Pedagogical Institute in Moscow, and with Professor Evgeny Kolosov at the Moscow Conservatory, where he also studied conducting with Dmitri Kitaenko.
On the occasion of Kolosov’s 75th birthday, Ibragimov paid tribute to his former teacher.
"Music is more than sound; it’s an emotional landscape," Ibragimov once said.
Journey into the Heart of Music
Rinat Ibragimov, born on April 27, 1973, in the culturally vibrant city of Nizhny Novgorod, Russia, captivated audiences worldwide with his rare talent.
With fervor, he immersed himself in both time-honored classics and modern styles, ultimately crafting a sound that was personal yet resonated universally.
The Hidden Depths of His Philosophy
While many see Ibragimov as merely another classical musician, his philosophical depth sets him apart. ‘One of Kolosov’s virtues is that he sees immediately your individuality and understands the way to development.
Ibragimov suggested shifting the focus of creation from mere precision to radical honesty. He also held masterclasses as a member of the LSO. Following his stroke in 2014 he was still able to occasionally teach.
His daughter is the violinist Alina Ibragimov.
He died in September 2020 when he was 59 years old.
Sources:
- http://www.ibragimov.co.uk/page-sets/biography.html
- http://www.gsmd.ac.uk/music/staff/teaching_staff/department/1-department-of-strings-harp-and-guitar/42-rinat-ibragimov
- http://www.wimbledonmusicfestival.co.uk/events_wk3.html
- https://www.barbican.org.uk/music/event-detail.asp?ID=9690
- http://doublebassblog.org/2009/01/rinat-ibragimov-master-class.html
- http://en.wikipedia.org/wiki/Alina_Ibragimova
- http://www.allmusic.com/artist/rinat-ibragimov-mn0001866990
- http://www.discogs.com/artist/Rinat+Ibragimov
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During the lesson he always stays at your side, snuffles with approval… not like other teachers who wait for your mistakes just to punish you and enjoy their superiority,’ Ibragimov wrote. In 2007, he began teaching at the Royal College of Music. By celebrating imperfection, artists convey raw, heartfelt narratives that resonate profoundly with audiences.
"When we perform, we are not just playing; we are offering pieces of our soul."
Revisiting Ibragimov's Collaborations
As we delve deeper into Ibragimov’s legacy, it’s essential to recognize the often-overlooked collaborations that enriched his journey.
Ibragimov often recounted his own struggles with self-doubt, realizing that vulnerability fosters true artistry, a notion he imparted to his students as they strove for authenticity.
What might this insight offer to emerging artists? His commitment to crafting sonic experiences that convey a spectrum of feelings serves as an invitation for us to integrate our unique identities into our artistry.
Recognizing how he blended classical sensibilities with raw emotion, can we seek to do the same? He still regularly collaborates with them both as conductor and soloist.
Rinat has been principal double bass with the London Symphony Orchestra for fourteen years.
Since 1999 he has been professor for d-bass at the Guildhall School of Music and Drama .
Marrying classical techniques with contemporary emotion, Ibragimov didn’t just master musical notes; he transformed the complexities of human emotion into sound.
Alina has withdrawn from tonight’s BBC Prom, in which she was due to perform with Nicola Benedetti and members of the Orchestra of the Age of Enlightenment.
‘A superb musician, inspirational teacher and wonderful colleague, [Rinat] will be much missed by everyone at the LSO’, writes the orchestra on its homepage.
Rinat Ibragimov is known as Principal Double Bass of one of the world's leading orchestras as well as a soloist and teacher.
He studied at the Ippolitov-Ivanov College with Georgy Favorsky and at the Moscow Tchaikovsky Conservatoire with Professor Eugeny Kolosov.
He won the first prizes in the All Soviet Union Double Bass Competition (1984) and in the Giovanni Bottesini International competition in Parma, Italy (1989).
From 1983-1997 he was working as the principal double bass of the Bolshoi Theatre orchestra, the “Academy of Ancient Music”, “Moscow Soloists” and the “The Soloists of the Moscow Philharmonic.”
Between 1991-1997 he was teaching the double bass at the Moscow Conservatoire, Moscow Conservatory Music College, Central Specialist Music School.
His recordings include a CD featuring the music for double bass by Giovanni Bottesini (released in Paris in 1995), a CD with works by Russian composers recorded with “The Soloists of the Bolshoi Theatre” (released in Moscow in 1991).
Central to his artistry is a groundbreaking belief: imperfection, when embraced, leads to genuine emotional expression. This understanding transcends simply hitting the right notes-it embodies the emotions that lurk below the surface. How might they unlock this profound connection?
Ibragimov, Rinat (5th November 1960-2nd September 2020)
He was a double bass player and teacher born in Moscow, Russia who initially studied the cello and received his musical education at the Tchaikovsky Conservatoire in Moscow and the Ippolativ-Ivanov College.
He remained with these groups until 1997.
In 1984 he was the first prize winner of the All Soviet Union Double Bass Competition and 5 years later followed it up by winning first prize at Parma’s Giovanni Bottesini International Competition.
In 1995 he became the conductor and artistic cirector of the Moscow Instrumental Capella and remained with them until 1998 although has performed with them regularly ever since.
Around 1996/7 he accepted the position of Principal Double Bass with the London Symphony Orchestra and has given several solo performances with them.
In 2012 he performed at the Wimbledon International Music Festival but had to step down from performing with the LSO after suffering a stroke.
No stranger to the recording studio he performed on a 1991 CD released by The Soloists of the Bolshoi Theatre and a 1995 French release of music by Giovanni Bottesini as well as Rodnaya Rech’ (Tugan Tel’) by Alsou, Ideale: The Songs of Paolo Tosti by Ben Heppner and Music of Hope by Tim Janis, Gustav Holst: The Planets by the LSO and Fresh Aire 8 by Mannheim Steamroller.
In the field of musical education he was on the faculties of the Moscow Conservatoire, the Central Specialist Music School and the Moscow Conservatory Music College from 1991 to 1997.
His philosophy stands as a gentle reminder of music's power to heal, provide comfort, and inspire change.
As he once eloquently stated,
"Every note is a conversation waiting to happen."
Final Reflections
Today, as we celebrate Rinat Ibragimov, we honor a life rich in artistic brilliance and invaluable lessons.
As well as his daughter Alina, he is survived by his wife Lutsia and son Timur.
Having received his training as a conductor with Dmitri Kitaenko and Igor Dronov at the Moscow Tchaikovsky Conservatoire, Rinat was invited to become the conductor and artistic director of the “Moscow Instrumental Capella”, the post he held between 1995-1998.