Patrizia von brandenstein biography definition
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Larry Flynt and Mercury Rising, as well as A Simple Plan, Man on the Moon, Shaft, The Ice Harvest, All the King's Men and Goya's Ghosts. Von Brandenstein also worked on the historical drama The Last Station, directed by Michael Hoffman, for whom she designed The Emperor's Club in 2002.
1966 saw the real start of her career in design with an eight-year stay creating costumes and sets at the American Conservatory Theater in San Francisco under William Ball. Her education abroad closed with two years as an apprentice at the famed Comédie Française.
Brandenstein has won an Academy Award for Best Art Direction and has been nominated for two more: Won.
Director Neil Burger, in his DVD commentary for Limitless, singles out von Brandenstein for her excellent work on the film.
Selected filmography
Brandenstein has won an Academy Award for Best Art Direction and has been nominated for two more:
- Won
- Nominated
Notes and References
- http://theoscarsite.com/whoswho6/vonbrandenstein_p.htm Early Biography
- http://www.filmreference.com/Writers-and-Production-Artists-Vi-Win/Von-Brandenstein-Patrizia.html Details of her styles
Patrizia von Brandenstein
Patrizia von Brandenstein (born April 15, 1943) is an American production designer.
Most recently, she designed the acclaimed Irish drama Albert Nobbs, starring Glenn Close and Janet McTeer, David Mamet's production of the courtroom drama Phil Spector, starring Helen Mirren and Al Pacino for HBO, and Houdini, the mini-series, starring Adrien Brody.
LIFETIME ACHIEVEMENT AWARD – 2016
Patrizia von Brandenstein explained
| Patrizia von Brandenstein | |
| Birth Date: | April 15, 1943 |
| Birth Place: | Arizona, U.S. |
| Occupation: | Production designer |
| Years Active: | 1972-present |
Patrizia von Brandenstein (born April 15, 1943) is an American production designer.
She has shown versatility in creating sets for both lavish historical films and glossy contemporary fare.
She was born in Arizona to German Russian emigrant parents. She has designed movies in a wide range of subjects, styles, and periods: from the low-budget, break-dancing musical Beat Street to the expensive plutonium-plant melodrama Silkwood.
Director Neil Burger, in his DVD commentary for Limitless, singles out von Brandenstein for her excellent work on the film.
Patrizia Von Brandenstein - Melissa Sinta
Brandenstein has won an Academy Award for Best Art Direction and has been nominated for two more:
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Patrizia Brandenstein
tailorCostume designer
Patrizia von Brandenstein is an American production designer.
She also met future husband and fellow production designer Stuart Wurtzel. In 1987, von Brandenstein received her third Oscar® nomination for Brian De Palma's The Untouchables, and further distinguished herself with her work on the teen musical Beat Street, the high society comedy drama Six Degrees of Separation and a return to the west for The Quick and the Dead.
Her additional production credits include A Chorus Line, Billy Bathgate, Sneakers, Leap of Faith, Just Cause, The People vs.
She started with the off-Broadway scene of 1960s New York at the Actors Studio and La MaMa as a seamstress, prop maker and scene painter. She started with the off-Broadway scene of 1960s New York at the Actors Studio and La MaMa as a seamstress, prop maker and scene painter.
Background
She was born in Arizona to German Russian emigrant parents.
She started with the off-Broadway scene of 1960s New York at the Actors Studio and Louisiana MaMa as a seamstress, prop maker and scene painter.
1966 saw the real start of her career in design with an eight-year stay creating costumes and sets at the American Conservatory Theater in San Francisco under William Balliol
She also met future husband and fellow production designer Stuart Wurtzel.
Awards
By the early 1980s, she was a full-fledged production designer, assuming supervisory capacities and laying out much of the visual texture of her films. Her education abroad closed with two years as an apprentice at the famed Comédie Française.
Career
She has shown versatility in creating sets for both lavish historical films and glossy contemporary fare.
She has designed movies in a wide range of subjects, styles, and periods: from the low-budget, break-dancing musical Beat Street to the expensive plutonium-plant melodrama Silkwood.
Director Neil Burger, in his Digital Video Disc commentary for Limitless, singles out von Brandenstein for her excellent work on the film.
Achievements
She was the first woman to win an Academy Award for production design and has been nominated for two more in the category Best Art Direction.
She has shown versatility in creating sets for both lavish historical films and glossy contemporary fare. She was the first woman to win an Academy Award for production design and has been nominated for two more in the category Best Art Direction.