Norma talmadge and norma desmond biography
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Dir.: Sidney A. Franklin, prod.: Joseph M. Schenck, sc.: Mary Murillo (Norma Talmadge Film Corp. Archive: Museum of Modern Art, EYE Filmmuseum, Lobster Films.
8. US 1917) cas.: Norma Talmadge, si, b&w. Archive: Library of Congress.
The Forbidden City/A Tale of a Forbidden City. Archive: Library of Congress, George Eastman Museum.
The Way of a Woman/ Nancy Lee. Dir.: Robert Z.
Leonard, prod.: Joseph M. Schenck, sc.: Eugene Walter, cost.: Lucy Duff-Gordon (Norma Talmadge Film Corp. Dir.: Henry King, prod.: Joseph M. Schenck, Sam Taylor, sc.: C. Gardner Sullivan, (Joseph M. Schenck Productions US 1928) cas.: Norma Talmadge, si&so, b&w. 35mm, 8 reels; 8, 000 ft. Dir./sc.: Edward José, prod.: Joseph M.
Schenck, cost.: Lucy-Duff Gordon (Norma Talmadge Film Corp. 744 +
The community of Talmadge, in San Diego, was also named for the sisters. It is true that Talmadge retired after her sound films failed. It is therefore possible that Constance was involved in the creation of these films.
“This understanding of portrait heads within a film became a rapidly waning art in the sound era,” writes film historian Clive Denton, “but it remained with Henry King.” King apparently disliked The Woman Disputed, and according to de Groat, Sam Taylor, co-credited as director, completed some scenes in the film.
King’s career spanned half a century, ending with 1962’s Tender Is the Night, and his transition to talkies was seamless.
Their films were marketed together to distributors, and publicity generally presented them as a family unit, with sister Natalie along with their mother, the indomitable Peg. Norma is something of an enigma today. Among the most brutal was a review in Time: “Norma Talmadge plays less pompously than might be expected, but people who liked her program pictures in the old days may hope that this will be the last attempt to establish her as a great figure in sound pictures.
She usually played a willful young woman who was constantly having misunderstandings with the men in her life. Audiences had grown up with Norma and delighted in seeing her as they would an old friend. “The Wild Woman of Babylon.” Photoplay (May 1917): 80 - 82, 148.
Loos, Anita. However, her next film, Du Barry, Woman of Passion (1930) was not a success.
Dir.: Sidney A. Franklin, prod.: Joseph M. Schenck, sc.: Hans Kraly, George Marion Jr. (Constance Talmadge Film Co./Constance Talmadge Productions US 1926) cas.: Constance Talmadge, si, b&w.