Nir arieli biography of barack
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The company is a very intimate and intense environment. Everything was valid and easy.
What inspires you?
How much do you think your photography has changed since the beginning of your career?
When I started my career, I was interested in exploring different kinds of lights and techniques, both in photography and post-production.
My second show was also a big deal cause it proved that the first time wasn't a coincidence. I found amazing the shot dedicated to Kyle Scheurich, in particular, can you tell us something about this series? I was already there so I promised to try even though it was really not the style of my work. Supposedly, my work now is completely different.
These three ideas describe what draws me to making work and I hope is reflected in the aesthetic. Every project is a little piece in a bigger visual essay I'm creating, telling the story of male dancers in particular and sometimes the world of dancers in general. Everyone believed that I'll end up as a commercial photographer (which is not far from the truth), and I believed that as well, but I did my best to create work that was meaningful and worthy of being "art".
One was a collaboration of Estee Lauder and Time Out Tel Aviv and benefited an organization in Israel that supports women who were victims of financial violence, and the other was a project for Volunteers of America, helping communities who suffer moral injuries, and was featured about a year ago on Time Square's screens in NYC. For the future, I hope to continue making personal independent work alongside partnering with dance companies and organizations that are bringing beauty and good to the world.
For more info and updates visit nirarieli.com .
You can follow Nir on Instagram @niralieli
Nir Arieli began his career as a military photographer in Israel; from the very beginning it is possible to read his great ability to explore the sensitivity of the subjects in portraits.
In his current research he concentrates his artistic experimentation in working with dancers with whom he manages to create an incredible artistic exchange.
In front of the shots the observer is fascinated by the moment of intimacy that reveals the story of the dancers portrayed with their feelings and emotions.
I've always had a terrible memory for art history although I studied it in high school and college. It's a "checkmark" for me and I am channeling my energies into making something that I've never done before. I had to negotiate with each company in return for their valuable and precious dancers' time. I had two big projects like that in the last few years.
I find interest in how their bodies are shaped and how their personalities are formed. At first, I was shooting and developing B&W film which was quite frustrating, but when I got my first point and shoot digital camera, my progress turned to be much quicker and I loved it. I realized that each company will have a completely different way to approach this task, and I was interested in how that process and result would reflect the company's unique voice.
Would you accompany the photos with music in an exhibition of your works?