Michael seven summers biography
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I liked what I did and didn’t want anyone else to mess with my vision. He relocated to L.A. in 2020.
Summers’ longstanding friendship and working relationship with Tech N9ne began when he was only 14. Summers often writes with artists, but also keeps a team of scribes close to hand.
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MIKE SUMMERS
Multi-platinum producer, songwriter, and multi-instrumentalist MIKE SUMMERS — previously known as Michael “Seven” Summers — has helmed a series of platinum releases for Tech N9ne in which Elton John once interviewed Tech on an episode of his Apple Music 1 radio show Elton John’s Rocket Hour and told him, “the production on your records is so brilliant.” He went on to describe Summers’ work as “some of the best-produced records I’ve ever heard.” Summers has also worked with everyone from Eminem to Kendrick Lamar, Lil Wayne to Snoop Dogg, Deftones, Corey Taylor of Slipknot, Jonathan Davis of Korn, Love Ghost, Rico Nasty, Wiz Khalifa, Mike Posner, Mac Miller and Serj Tankian of System of a Down.
When I do, I notice that I make better music.”
Summers’ current work includes production with Hollywood outfit Love Ghost. Recently the band completed a track with Atlantic artist Rico Nasty.
Along the way, he architected XV’s “Textbook Stuff” [feat. For others, it may revolve around compensation and/or credits. But there’s also much to be said for continuing to test and stretch yourself. Lil Wayne, T-Pain, & Krizz Kaliko], “Speedom (WWC2)” [feat. “Learning how to collaborate with other producers was my biggest challenge,” Summers admits.
Chino Moreno & Stephen Carpenter of Deftones], “Fuck Food” [feat. But the more I worked in L.A., I started to let go of that and the better the tracks became. If I use the same things constantly, I become repetitive and that’s a big fear of mine. Now every six months to a year I’ll make changes. He’d just done Gang Related—The Soundtrack and had the song ‘Questions’ that was produced by QDIII.
Kendrick Lamar] and “Awesome” [feat. “The way that I came up was to do everything on my own; there was no one who could add value to my work. “When I notice that I’m comfortable, I do whatever it takes to become uncomfortable,” Summers explains. “Working in L.A., the thing that’s different is that here I’ll get into sessions at which we sit down and create something from scratch.