Los guaracheros de oriente biography of albert
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Diccionario Enciclopédico de la Música en Cuba. The instrumentation is often quite basic: guitar, <<maracas>>, <<timbales>> and <<cencerro>> (cowbell).
Los Guaracheros del Oriente
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Los Guaracheros del Oriente. Fue una agrupación musical fundada en La Habana por Antonio Fernández (Ñico Saquito), director y cantante; integrado además, por Félix Escobar el Gallego, voz prima y timbal; Gerardo Macías el Chino, guitarra prima y tercera voz; Florencio Santana el Picolo, guitarrista acompañante y cantante.
Genres such as música jíbara, plena, bomba, danza, son, guajira, bolero, danzón and merengue are well represented, as are guaracha, mambo, cha-cha-cha, pachanga and boogaloo.
Mercedes Glass-Pérez
After the death of Ralph Pérez in 1969, his daughter Mercedes and her husband Herman Glass became managers of Ansonia.
In addition, several important Dominican artists who were part of the Ansonia roster made a huge contribution to the roots of what would become the merengue boom in the 1980s, including Ángel Viloria, Dioris Valladares, Joseíto Mateo, Damirón Y Chapuseaux and Luis Quintero.
Today, Ansonia Records has finally made its online debut.
As master tapes from the vaults steadily get digitized, international audiences can now discover the magic of this essential label with a fascinating repertoire of sounds that helped shape Latin music history both in the United States and throughout Latin America.
Florencio Santana, Gerardo Macia, Felix Escobar and Nico Saquito founded Los Guaracheros de Oriente (The Guaracha Players of Oriente) in 1940.
As a proud Puerto Rican, he wanted to champion the authentic Latin music that mainstream American labels largely ignored. 182.
LOS GUARACHEROS DE ORIENTE
Like Celia Cruz, La Sonora Matancera, Machito, Beny Moré, Arsenio Rodríguez, Pérez Prado and Trio Matamoros, Los Guaracheros de Oriente are icons of Cuba’s “Golden Age” of music.
Founded in the mid-1940s by prolific singer-songwriter Benito Antonio Fernández Ortiz (January 17, 1902, Santiago de Cuba – August 4, 1982, Santiago de Cuba), better known as Ñico Saquito, the group was also one of Cuba’s most long-lived and beloved purveyors of the guitar-based “Oriente” trova (troubadour) sound from the island’s eastern region. In 1985 Ansonia moved to new facilities in New Jersey.
It is less percussive and syncopated than <<son>>, but they are both instantly engaging musical styles that liven up any party. So although the name may not be immediately familiar to many listeners in the United States, Ansonia boasts beautifully recorded music from an impressive array of influential artists such as Trio Matamoros, Ramito, Daniel Santos, along with Arsenio Rodríguez, Conjunto Casino, La Sonora Matancera, Noro Morales, Mon Rivera, Moncho Leña and Rafael Cortijo who laid the musical foundation for salsa, which became a global phenomenon by the 1970s.
Saquito, who passed away in 1981, was one of Cuba's most prolific and beloved song-writers and many of his songs are classics of the Cuban repertoire. By the late 1950s Ansonia was positioned as worthy competition to other popular Latin New York labels of the time like Tico, SMC, Seeco and Alegre.
For a small, independent family-run record label, Ansonia was home to a surprisingly large, diverse and important catalog of seminal recordings featuring traditional and popular Latin rhythms and sounds.
About Us
Ralph Pérez
In the 1940s, Rafael ‘Ralph’ Pérez was an A&R rep for the Latin American division of Decca Records in New York. He also used recording studios in San Juan, Havana and Mexico City to build the Ansonia catalog. Editorial Letras Cubanas, Ciudad de La Habana, Cuba, 2009 p.
Saquito left the group in 1955, but they continued on as a trio, moving to the United States in 1959.
As the name of the group implies, Los Guaracheros de Oriente primarily performed <<guarachas>>, a relative of the <<son>> that developed in eastern Cuba. From this initial success, Pérez and Ansonia would continue to release music made for Puerto Rican, Cuban, and Dominican immigrants in the Spanish-speaking New York communities of El Barrio (Spanish Harlem), The Bronx and Brooklyn, as well as for listeners in the Caribbean and throughout Latin America.
<<Guaracha>> is essentially a balladic song style with poetic lyrics and lush, multi-part harmonies that were very influenced by French and Spanish music.
Bibliografía
- Giro, Ramadés. En 1959, ya sin Ñico Saquito, se radicaron en Puerto Rico.