Liao yibai biography of barack
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“Of course they are different. How does the art scene in China differ from America from his point of view? Let Chairman Mao rush out of a hundred Yuan, and Benjamin Franklin punch out of a hundred dollar bill. “I could only draw enemies from my imagination based on the limited information I had. Yibai had never heard of Cinderella until 2009 when his then four-year-old daughter asked him to watch the movie with her.
“Craftsmanship is complex, time-consuming and expensive, but well worth it, as these pieces will last for many years.”
Cash Fighting” installed at the MGM National Harbor, Washington DC
Cinderella High-Heel” installed at the MGM National Harbor, Washington DC
Working in both two and three dimensions, Chinese-born Yibai Liao (b.
Art is daily life: life because of art and art because of life.”
Yibai’s imaginative and ironic stainless-steel sculptures depict the complex cultural relationship between China and the US via accessible and humorous stories. He is a graduate of the acclaimed Sichaun Academy of Fine Art, and he has exhibited at institutions including the Fort Collins Museum of Art, the Brattleboro Museum, the Aarhus Kunstmuseum, and the Guangdong Museum.
Yibai Liao currently lives and works in Beacon, NY.
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These cultural mega-symbols exist side by side with traces of traditional Chinese arts, in the form of meticulous re-interpretations of vases and paintings, throughout Liao’s oeuvre.I am neither a historian nor a politician, but I still agreed to answer his question, but I wanted to use sculpture to answer this question.”
Originally, the design was of the Monkey King fighting Mickey Mouse.
To obey international rules, they must wear boxing gloves for the fight.” The result was a marvellous seven-foot-high stainless-steel sculpture.
“I hope that while the visual effect of this piece of work is ridicule, it is reminiscent of reality: the fight between Mao Zedong and Benjamin Franklin is a daily scheme that impacts our real life,” he says of the final work.
Another work “Cinderella High-Heel” is in the same mold as “Cash Fighting”.
But the idea evolved. Imaginary Enemy was my first solo exhibition in New York in 2009 and I used sculpture to show my imagination of the enemy of US imperialism I knew in my youth.”
In December 2016, he had an exhibition to display “Cash Fighting”, a sculpture that was conceived years earlier. “I want to have a healthy, relaxed and cheerful life.
Thus, the artist’s works illustrate the challenges he faced during childhood and his paralleled fascination with American culture.
Yibai Liao’s artworks are represented in numerous renowned public and private art collections including Steve Wynn, the Eileen S. Kaminsky Family Foundation, and the MGM National Harbor in Maryland.
As a child growing up in a top-secret missile factory in the Chinese countryside during the Cold War, Yibai Liao could not have imagined that he would one day be displaying his sculptures at the MGM Grand Hotel in Washington DC.
Known for his hand-welded stainless steel sculptures that question today’s skewed concept of value and material obsession, Yibai Liao has gained international recognition as a Chinese artist prepared to examine China and America’s long history of hostility.
“I always like art to be humorous and cheerful,” he tells me from New York where he lives with his wife and daughter.
“I watched half the movie with my daughter and I was so impressed that I was almost in tears! I hope my art is brought to the audience, is happy and thoughtful. He simultaneously explores the cultural exchange that has taken place between China and the West following the death of Mao Zedong (shortly after the artist’s birth), symbolized by the role of “icons” such as Mickey Mouse or a McDonald’s hamburger in Liao’s art and memory.
His works illustrate the challenges he faced during childhood growing up in a bomb factory that was part of Mao Zedong’s master plan “to fight China’s biggest enemy, America.” For example, a giant metal hamburger emblazoned with “Top Secret” represents Yibai’s first impression of the West and “the food of the enemy.”
“At that time, the education and information we received was by listening to Chairman Mao’s words, and always being prepared to fight against the enemies of imperialism and capitalism,” he explains.
1971) is best known for his hand-welded stainless steel sculptures that continuously question today’s skewed concept of value by depicting China’s rags-to-riches story of material obsession. His art has always taken an interest in China’s increasing obsession with opulence and luxury goods while discrediting and glorifying it simultaneously.
The oversized ostentatious sculptures of watches, rings, handbags, and high heel shoes confront the multitudes of popular brands and logos and their overwhelming presence in today’s society. However, although his art is intricate and expressive, underneath lay a simple desire to create beautiful pieces that will bring people together. I picked up a pen and quickly drew a rough sketch of my original design of the traditional Chinese-style lion head on a diamond-cut high-heel shoe.