Leee black childers wikipedia shqip

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In '77 there was a garbage strike. But I’m sure Peter Crowley at one point or another said the same thing to me because junkies are crazy people, and the drag queens, because that’s who I loved. He didn’t have to do anything further.  

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Lee Sobel: I heard that Peter Crowley asked if he could manage Jayne and you said Jayne was unmanageable and when you said you wanted to manage The Heartbreakers, he said you were crazy.

It would hurt my bands because she would show up with heroin.  But we decided we would pretend to be rock ‘n’ roll journalists.  He said, “Okay, if you want to do that if anyone calls me I’ll say yes, you represent Circus Magazine.” And it worked magnificently. And sometimes when you’re their dad you have to discipline them.

 So he said, "Leee! No one was standing there with their less crossed.

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Lee Sobel:  Let’s talk about The Heartbreakers. It was very controversial. It was smart. He owned the place. You know, when I was in high school some well-meaning teacher appointed me photographer. He stage-managed Jackie Curtis’s play “Femme Fatale” at La MaMa ETC in 1970, “World Birth of a Nation” by Wayne County, and “Pork” at both La MaMa in New York and the Roundhouse in London, all directed by Anthony Ingrassia.

Leee became David Bowie’s official tour photographer for “Ziggy Stardust,” and spent a season in the Hollywood Hills house-sitting Iggy Pop and the Stooges.

But we kind of got to know him, him and his wife Angie. New York just changes its mood from day to day, from year to year.  New York was really out of control but I would go back to those days in a minute because it was fabulous.  

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Leee Black Childers: That was actually the main one. And then she said, "Okay, we're going to Studio 54." And I thought, "Wait a minute.

But he was more than a junkie. We had like nine people in a one bedroom apartment.