Krs-one son commits suicide
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Warner Brothers was, in fact, on the verge of signing BDP when tragedy reared its ugly head. He was found on Friday.
Parker was a graphic designer and fashion entrepreneur seeking employment in Atlanta. 1995’s KRS-One album was star-studded on both the production front (DJ Premier, Diamond D, Showbiz) and the features list (Busta Rhymes, Fat Joe).
Aside from rap, Kris also listened to his mother’s R&B, disco, and reggae records.
When it became apparent, however, that Kris was deadset on this rap thing, Jacqueline put her foot down. During this decade, KRS-One was able to adapt to the digital terrain of the music industry by using online platforms like Bandcamp to distribute his music.
With the release of his 2020 project Between Da Protests, KRS-One joined an elite list of emcees that can claim to have dropped a solo studio album in four separate decades.
It is imperative, then, that I pay tribute to the poet who penned this powerful passage.
KRS-One is a real one—an OG whose influence in the rap game has reached immeasurable depths. 1992’s Sex and Violence ended up being BDP’s final studio album release, thus marking the end of KRS’ run with the group that he co-founded in 1986.
But KRS, of course, was just getting started.
Sixteen Solo Albums.
At the very least, though, he discovered an outlet or two for the whirlwind of emotions that pervaded his childhood.
Hip Hop: His Constant Companion
Taking the chaos of Kris’ childhood into consideration, I think we can safely say that hip hop was no mere fad to him. (I dare anyone to listen to “Step into a World (Rapture’s Delight)” and not bust out dancing a minute later.) Just two months after its release, I Got Next was certified gold, thus becoming the most commercially successful album of KRS’ entire career.
At this point, let’s take a moment to acknowledge one of the most prolific streaks in the history of hip hop recording artists.
On a related note: in the late ’90s, KRS established an organization called The Temple of Hip-Hop Kulture, which is devoted to the same cultural advocacy that he is voicing out in his academic lectures.
Bottom Line
A number of rappers have claimed to be the king of hip hop, and one has audaciously claimed to be the Rap God.
How about an emcee that claims to personify the genre itself? Eventually, the tension between mother and son—brought about by their differing visions of the boy’s future—led to Kris leaving home before he even turned 14.
Out on the streets by his lonesome, Kris had no choice but to grow up real fast.
However, as the ’90s began to unfold, some more chapters of KRS’ life and career began to close. Kris’ relationship with his half-sister would be short-lived, as the girl’s father took her away when she was barely a year old. Aside from the great Jay-Z—who also dropped seven studio albums in the aughts— I can’t think of any other emcee who has been as prolific as KRS-One.
The first three of this decade’s albums (2001’s The Sneak Attack, 2002’s Spiritual Minded, and 2003’s Kristyles) were released under the imprint of Koch.
Taking this as an affront to their home turf, KRS and BDP released “South Bronx” which refuted the claim of Shan and Marley Marl. Unfortunately, Mr. Parker—who worked at the United Nations as a guard—had a mean streak within him. What I will point out, however, is the amazing longevity that he’s had in the rap game.
This led to an exchange of verbal attacks between MC Shan’s Juice Crew and KRS’ BDP. In 2007, KRS and Marley Marl officially put the feud to rest by releasing their collaborative album Hip Hop Lives.
Answer: Yes!
Since the late ’80s, KRS has lectured on the importance of preserving the culture of hip hop at various colleges and universities. With KRS at the helm, The Stop the Violence Movement (which included icons like Kool Moe Dee, MC Lyte, and Heavy D) issued this call to action in the track “Self-Destruction.”
In 1991, KRS was at the forefront of another all-star cast with a similar message.