Karoo ashevak biography definition

Personal life

Ashevak was known for having a distinctive personality among the Inuit artists by being openly expressive about his emotions.^[3] It was uncommon for Inuit adults to display their feelings because they highly valued the idea of Ihuma, which was the ability of emotional restraint.^[5]Ihuma was a significant indigenous personality, and the grown-ups exercised Ihuma by hiding their joy or anger in front of the public.

The angakkuq candidate needs to receive formal training from an elder, which helps him gain skills and powers that are necessary to fulfil his future position.^[13] By the end of the practice, an elder angakkuq would transmit his power to the young angakkuq by placing his hands on the young shaman's head.^[13] Ashevak's work, Coming and Going of the Shaman (1973) represents the transformation of powers between two angakuit.

"Tapestry: A Northern Legacy". His reputation was firmly established after the exhibition at the American Indian Art Centre in New York in 1973. Other visual elements in Ashevak's creations included varying sizes and shapes of eyes. This was the beginning of his successful career. Nuvisavik. Second, people were astonished by Ashevak's work and reacted immediately with tremendous enthusiasm.

"Karoo Ashevak." Accessed March 20, 2018. His adopted son, Lary, was killed by dogs. During this time, he was unknown in the art market, nonetheless, he held several exhibitions where his work appealed to the majority and sold in mass amounts.^[5] He was first noticed in Yellowknife when he entered the Centennial competition in 1970 organized by the Canadian Eskimo Art Council.

His work inspired a whole generation of Kitikmeot carvers.^[8] Although he only created about 250 sculptures during his short artistic career, his works have been included in multiple exhibitions and continue to be widely collected as well as traded on the art market and during auctions.

"Karoo Ashevak". While his 1973 exhibition at the American Indian Arts Centre in New York City marked the height of his career, the 1994 exhibition at the National Gallery in Ottawa signified the continuing importance of his work in the context of contemporary Canadian art.

Ashevak died with his family in a house fire on October 19, 1974, at age 34.
 

Exhibitions

• Arctic Mirror, Canadian Museum of Civilization
• Art/Inuit/Art: The Rothmans Permanent Collection of Eskimo Sculpture, Rothmans of Pall Mall Canada Ltd.
• Building on Strengths: New Inuit Art from the Collection, Winnipeg Art Gallery
• Collectable Sculpture 1987, Webster Galleries
• Collector's Choice: 1965-1980, Inuit Gallery of Vancouver
• Contemporary Inuit Art, National Gallery of Canada
• Cultures of the Sun and the Snow: Indian and Eskimo Art of the Americas, Musee des beaux-arts de Montreal held at "Man and His World"
• First Annual Collectors' Invitational Exhibition, Inuk 1/Eskimo Art
• Granville Island Canadian Inuit Sculpture Exhibition (first exhibition), Vancouver Inuit Art Society
• Grasp Tight the Old Ways: Selections from the Klamer Family Collection of Inuit Art, Art Gallery of Ontario
• Im Schatten der Sonne: Zeitgenossische Kunst der Indianer und Eskimos in Kanada/In the Shadow of the Sun: Contemporary Indian and Inuit Art in Canada, Canadian Museum of Civilization
• Immaginario Inuit Arte e cultura degli esquimesi canadesi, Galleria d'Arte Moderna e Contemporanea
• Inuit Art From the Glenbow Collection, Glenbow Museum
• Inuit Art in the 1970s, Department of Indian Affairs and Northern Development, and the Agnes Etherington Art Centre
• Inuit Art: A Selection of Inuit Art from the Collection of the National Museum of Man, Ottawa, and the Rothmans Permanent Collection of Inuit Sculpture, Canada, National Museum of Man, Ottawa and Rothmans of Pall Mall Canada Ltd.
• Inuit Games/Inuit Pinguangit/Jeux des inuit, Department of Indian Affairs and Northern Development
• Inuit Masks, Inuit Gallery of Vancouver
• Inuit Masterworks: Selections from the Collection of Indian and Northern Affairs Canada, McMichael Canadian Collection
• Inuit Sculpture 1974/Sculpture Inuit 1974, Lippel Gallery
• Karoo Ashevak, Winnipeg Art Gallery
• Karoo Ashevak 1940 - 1974 Sculpture, The Upstairs Gallery
• Karoo Ashevak Sculpture, The Innuit Gallery of Eskimo Art
• Karoo Ashevak Whalebone Sculpture, Lippel Gallery
• Karoo Ashevak: Spirits, American Indian Arts Centre
• Karoo in Ottawa, National Gallery of Canada
• Kitikmeot, Inuit Gallery of Vancouver
• Masters of the Arctic: An Exhibition of Contemporary Inuit Masterworks, Presented by the Amway Corporation at the United Nations General Assembly
• Masterwork Sculpture 1985, Inuit Gallery of Vancouver
• Rothmans' Collection of Inuit Sculpture, Kitchener - Waterloo Art Gallery
• Sanaugasi Takujaksat: A Travelling Celebration of Inuit Sculpture, Presented by Canadian Arctic Producers Ltd., with the assistance of Indian and Northern Affairs Canada, Ottawa
• Sculpture, Canadian Eskimo Arts Council a competition/exhibition organized as a contribution to the Centennial of the N.W.T.
• Sculpture Inuit: Stone/Bone circa 1960-1979, Canadiana Galleries
• Sculpture of the Inuit: Lorne Balshine Collection/Lou Osipov Collection/ Dr.

  Harry Winrob Collection, Surrey Art Gallery

• Selections from the John and Mary Robertson Collection of Inuit Art, Agnes Etherington Art Centre Queen's University
• Spirits and Shamans/Esprits et chamans, Department of Indian Affairs and Northern Development
• Spirits by Karoo Ashevak and Other Sculptors of Spence Bay, Franz Bader Gallery
• Stones, Bones, Cloth, and Paper: Inuit Art in Edmonton Collections, Edmonton Art Gallery
• The Coming and Going of the Shaman: Eskimo Shamanism and Art, Winnipeg Art Gallery
• The Early Years: Sculpture from the 50's and 60's, The Innuit Gallery of Eskimo Art
• The Inuit Imagination, Winnipeg Art Gallery
• The Klamer Family Collection of Inuit Art from the Art Gallery of Ontario, University of Guelph
• The Spirit of the Land, The Koffler Gallery
• Uumajut: Animal Imagery in Inuit Art, Winnipeg Art Gallery
• Whalebone Carvings and Inuit Prints, Memorial University of Newfoundland Art Gallery
• White Sculpture of the Inuit, Simon Fraser Gallery, Simon Fraser University

Collections

• Amon Carter Museum of Western Art, Fort Worth
• Amway Environmental Foundation Collection, Ada
• Art Gallery of Ontario, Toronto
• Canadian Museum of Civilization, Hull
• Glenbow Museum, Calgary
• Inuit Cultural Institute, Rankin Inlet
• Klamer Family Collection, Art Gallery of Ontario, Toronto
• McMichael Canadian Art Collection, Kleinburg
• Musee des beaux-arts de Montreal, Montreal
• Museum of Anthropology, University of British Columbia, Vancouver
• National Gallery of Canada, Ottawa
• Prince of Wales Northern Heritage Centre, Yellowknife
• Rothmans Permanent Collection of Eskimo Sculpture, Toronto
• Sarick Collection, Art Gallery of Ontario, Toronto
• University of Alberta, Edmonton
• Winnipeg Art Gallery, Winnipeg