Joseph frederick handel biography
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The company, never fully profitable because of the inordinately high salaries commanded by the star singers, ended in financial collapse by late 1728, but much of the success it did enjoy may be attributed to Handel, who provided a succession of excellent operas (one of the best is Giulio Cesare in Egitto of 1724) featuring the castrato Senesino, the prima donna Cuzzoni, and, from 1726, the rivalry that became scandalous between Cuzzoni and another leading soprano, Faustina.
As such, they are sometimes performed on stage by small chamber ensembles. Retrieved August 7, 2007.
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In terms of musical style, particularly in the vocal writing for the English language texts, these works have close kinship with the above-mentioned sacred oratorios, but they also share something of the lyrical and dramatic qualities of Handel's Italian operas.Handel: A Documentary Biography, 1955. The young boy would play the instrument up there, in secret on his own, when his father was not around.
He also complained that he had trouble focusing after the event. When opera was banned by local authorities, Handel found work as a composer of sacred music and wrote some pieces in operatic style. ISBN 0824038622
Works
Handel's compositions include some 50 operas, 23 oratorios, and a large amount of church music, as well as instrumental pieces, such as the organ concerti of which there are sixteen, including the Opus 3 and 6 Concerti Grossi, the Water Music, the Fireworks Music, and "The Cuckoo and the Nightingale," in which the birds can be heard calling back and forth to each other during passages played in different keys representing the vocal ranges of each of the two birds.
His petition to Parliament to become a naturalized British citizen was granted in 1727, a few months before he provided the four anthems for the coronation of George II and his consort, Queen Caroline.
Middle Period: The crises of the 1730s and new directions
London’s fashion for opera in a foreign language inevitably dwindled, weakened by its artificiality and absurd economics.
One of these, Zadok the Priest, has been played at every coronation ceremony since. His Rodrigo was produced in Florence in 1707, and his Agrippina at Venice in 1708. Through these activities, Handel serves as an example of an artist who used his creative abilities for deeply altruistic purposes.
In August of 1750, on a journey back from Germany to London, Handel was seriously injured in a carriage accident between The Hague and Haarlem in the Netherlands.[5]
In 1751 he started turning blind, and by age 65 one eye was completely blind.
In April 1737, aged 52, he suffered a stroke or other injury which left his right arm temporarily paralyzed and stopped him from performing. Grand Rapids, MI: Zondervan, 1996. Handel never married, and kept his personal life very private. He left a sizable estate to a niece in Germany, as well as leaving gifts to his other relations, servants, friends, and favorite charities.
Another important milestone that shows his mastery of the full range of contemporary French, Italian, and German styles is the collection of eight harpsichord suites published in 1720.