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The jaw-dropping stunts done with practical effects and without CGI makes this an edge-of-the-seat thriller. 

While Paris remains a formidable force, audiences will discover new layers to her character in this entry.

The satisfaction of doing all her own fighting is a highlight for Klementieff. But I was surrounded by the best of the best,” she affirmed. I was dying to do that,” she said, visibly excited. Usually, they wanna use stunt doubles and some special effects or and it’s not the case in this movie.” Her enjoyment is palpable on screen, even when using “rifles as baseball bats,” as she humorously describes.

Having a front-row seat to Cruise’s unparalleled dedication to cinema and storytelling, Klementieff marveled at his unique approach.

Feature image photographed by Marco Bahler. “We shot that one for the first fight that you see in the movie, and that was so satisfying to finally shoot it for the movie.” This dedication to authenticity and the ongoing dialogue with the director and Cruise allowed the character to reveal herself organically.

Klementieff’s passion for learning new skills and taking risks in her roles is evident in her commitment to performing her own stunts.

That one was amazing.” She even shared that she jumped with Craig O’Brien, the person who filmed the iconic sequence, after being introduced to him by Cruise. Klementieff expressed her enthusiasm for Paris’s evolving storyline: “It was amazing because she has incredible fight scenes, and she’s a badass, but at the same time, it’s not just that.

“There is no one like him,” she says. Klementieff fondly recalled the experience of shooting in the Arctic, describing it as “beautiful” and filled with “such fun memories.” She recounted a memorable moment with Cruise: “At some point, Tom was on his snowmobile and I was on the back and he was just showing me around and doing some location scouting and looking at beautiful glaciers and it was really stunning.”

When asked to pick a stunt from the entire Mission: Impossible franchise she would love to perform for the sheer joy of it, Klementieff doesn’t hesitate.

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“That would be the skydiving sequence in Fallout. I’ve been very spoiled, working with Tom and McQ in Mission Impossible.” Her high standards have been set and she’s keen to continue pushing boundaries in the action genre.

The filming locations for Final Reckoning were as spectacular as the stunts.

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“It was wonderful to get to explore the character more and to get to work with these incredible people – the cast, the crew, the director, everyone,” Klementieff shared in a virtual interview as she returned for the second time after debuting in Dead Reckoning as IMF nemesis Paris.