History of sunny ade
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Addresses: Home--Nigeria. Ade no doubt has brought a number of innovations to juju. Around that time he also opened the Ariya, his own juju nightclub in Lagos, which became the main performance venue for the African Beats when the group wasn't on tour.
Adé’s influence extends to numerous artists and genres, with his innovative blending of traditional and contemporary sounds inspiring a new generation of musicians.
King Sunny Adé: Life Story and Achievements
Early Life and Background
King Sunny Adé, born Sunday Adeniyi Adegeye on September 22, 1946, in Osogbo, Nigeria, is a legendary Nigerian musician, singer, songwriter, and multi-instrumentalist.
His plans agreed with those of England's Island Records, which was eager to find a replacement for the tropical music of Bob Marley, who had died in 1980. His enduring relevance in the industry underscores his adaptability and the timeless appeal of his music.
King Sunny Adé’s legacy is characterized by his pioneering role in bringing African music to the global stage, his dedication to cultural preservation, and his lasting impact on the evolution of contemporary African music
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Born Sunday Adeniyi, on September 1, 1946, in Oshogbo, Nigeria; 12 children.
He joined Moses Olaiya’s Federal Rhythm Dandies before forming his own band, the Green Spots Band, in 1967. Additionally, he has served as a visiting lecturer at Obafemi Awolowo University in Ile-Ife and held leadership roles in the Musical Copyright Society of Nigeria. Reviewer Frank Scheck noted in the Christian Science Monitor that the album's "crisp, modern arrangements" were influenced by contemporary American blues and country music and featured pedal steel guitar.
His musicians called him chairman. Hailing from a royal family in Ondo State, his father served as a church organist, while his mother was a trader. Some controversy arose over "Wait for Me," a song he released in 1989 that urged population control and was later discovered to have been underwritten by the U.S. Agency for International Development, Office of Population.
His family was of royal lineage and frowned upon music as a low-caste pursuit. His discography boasts significant albums like Juju Music and Synchro System, which have played a pivotal role in introducing African pop music to international audiences.
Fortunately, for Ade, it was at this peak of his blossoming career that his popularity was scientifically tested and acknowledged by a hit parade that was being conducted by Research and Marketing Services Limited for Radio Nigeria 2, the then leading FM Station in the country.
His arch rival, Ebenezer Obey had succeeded in transforming the music from its neo-traditional status to an urban social music type with the introduction of the trap drums and three guitars. I dropped the use of the accordion and introduced keyboards, the manual jazz drum and now the electronic jazz drum. When sales trailed off for Aura, Ade's third album with Island, the label dropped his contract.
This innovative fusion has been instrumental in popularizing jùjú music on a global scale. He took his group out of the country in 1975 for a three- month tour of England, playing mostly to expatriate Nigerian audiences at small halls and community centers during cultural theme nights.
Throughout the 1970s, Ade built his reputation as an innovator in juju music.
Ade often topped the Nigerian social music category of this chart with such hit albums as “Afefe yeye,” “Check E,” “Searching for my Love,” “Juju Music” among others.