Hanoch rosenn
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During these solo performances, Rosen often appeared on Israeli television, and soon became known in every home in Israel. In 1992 Rosènn created and performed shovrìm et machsóm haKól [“Breaking the Sound Barrier”], his new show combining mime with gigantic props and video clips, to rave reviews, after which he brought it to the Edinburgh Festival, Singapore, and further afield.
In 1996 Rosènn wrote and directed the successful stage production of The Jungle Book, which won the Best Musical Production that year. Rosenn, who has in the past integrated in his performances, videos, sound effects and other up dated technology, brings into this show his rich experience as a director in an improved and even more sophisticated way.
It might not be a mime-driven spectacular, but wow to that, too
John Katsilometes’ column runs daily in the A section. By 1987 he was back in New York, this time performing in a six-month Off-Broadway run. Contact him at [email protected]. In the musical, Rosen appeared as Peter Pan.
Hanoch Rosen – Mime Career
Hanoch Rosen began his first performances in front of an audience at the age of only 17, at the Pargod Theater in Jerusalem.
During his final year of military service, Rosènn was appointed House Director of all IDF entertainment troops, responsible for blocking and choreographing all shows. In his subsequent plans, Rosen incorporated unique stage effects such as flight, giant props, and more.
Eight years, 3,000 performances for off-Strip family show
Producer and former mime Hanoch Rosenn said he would practice patience when “Wow — The Las Vegas Spectacular” was in development at the Rio.
That was in the fall of 2017.
Festigál is performed in 6,000-seat arenas with a cast of 100 performers including acrobats, TV stars, dancers, actors, and musicians, and combining music, dance, acrobatics, special effects, flying, fire, water, giant screens, and video effects. Dust, unfinished seating, extension cords and such set pieces as a giant skull in a bandana were strewn about.
WOW! as directed by Rosènn has a new incarnation every year; with different themes and performers each run, it is now in its 10th successful sellout season. His father, Yosef Rosen, was a radio broadcaster and simultaneous translator, who, among other things, translated the Eichmann trial. Rosènn was hooked, and before enlisting in the IDF for his compulsory service, he took some time off and traveled to Paris in order to study pantomime with Etienne de Creux, Marcel Marceau’s teacher, known as the Father of Modern Pantomime, as well as others, among them Ella Jarozchewich.
He went in and out of the screen and created innovative and original visual illusions. Concurrently, he appeared in the musical Plantor: Man from Outer Space, and in the popular TV program Shnáyim beRósh Echád [“On the Same Page”] wherein Rosènn portrayed the beloved Panto / Fanto / Fento / Pento, which made Hanoch Rosènn a household name in Israel and brought his work wide recognition.
Speechless! But it is a quality experience that will, um, wow the kids.
Under CEO Patrick Miller, the Rio just this week announced the uniquely entertaining “Marriage Can Be Murder” is moving to the hotel Aug. 28. The name Hanoch Rosen has become synonymous with mime in Israel.
Hanoch Rosen’s second solo show was “Hanoch Rosen – Pantomime”.
It was followed by “Do not catch me with a word,” “Speech is not the voice,” “Entertainment without words,” and “Preserves the right to remain silent.”
In subsequent performances, Rosen incorporated advanced visual means and was one of the first to incorporate a video screen on stage. In 2009 Rosènn created Speechless!
In general Rosènn frequently appears around the world, where the media has dubbed him “the Prince of Mime…the heir-apparent of Marcel Marceau”.