Guerra de la paz biography of michael

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guerra de la paz biography of michael

Does GdlP intend for us to see these masses of discarded clothing as a symbol of misguided choices in our consumer-driven societies? In “Follow the Leader,” they present a colorful procession of draped figures, meandering blindly through the gallery space like a flock of thrift-store sheep. GdlP infuse their work with a thoughtful mix of caution and hope.

In other works, such as “Indochine, Bonsai Tree” and “Spring, Sprang, Sprung,” they explore the hopeful possibilities of reuse and renewal, breathing new life into reclaimed textiles that morph into sinuous trees before our eyes. In “Mort,” they present a solitary figure on a fold-up bed, a prisoner suffering silently beneath the weight of a ponderous pile of dark-colored garments.

Or are they inviting us to step out of line and resist the temptation to chase the latest fashions and newest products?

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Galleries and the Visiting Artist, Scholar + Designer Program at RMCAD

Guerra de la Paz is the composite name of Cuban-born, Miami-based artist duo Alain Guerra and Neraldo de la Paz, who have been collaborating since 1996.

Guerra de la Paz’s work, while focusing on sculpture and installation, ranges in terms of media to include painting, photography, and video.

In Until Now: Guerra de la Paz, the artists present an overview of their sixteen-year long collaboration, which began with two-dimensional work and transitioned to work almost exclusively based on clothing.

Offers/RequestsExhibition AnnouncementS / G Solo/Group Exhibitions  (..) Exhibitions + FavoritesZachęta – Narodowa Galeria Sztuki G Sep 2013 - Nov 2013 Warszawa (60) +0Brewińska, Maria (Curator)   +0

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Zachęta – Narodowa Galeria Sztuki, Poland

Warszawa, Poland

Nina Berman (1960); Huma Bhabha (1962); Peter Bogers; [Eddo Stern, Peter Brinson, Brody Condon, Michael Wilson, Mark Allen, Jessica Hutchins] C-LEVEL Project; Erin Cosgrove (1969); [Carlos Rolón] Dzine (1970); Jonathan Durham; Angela Ellsworth; [Tony Campbell, Matt Vis] Generic Art Solutions - G.A.S.; Anthony Goicolea (1971); [Alain Guerra, Neraldo de la Paz] Guerra de la Paz; Christian Jankowski (1968); Joseph Johnson; William Klein (1926 - 2022); Oliver Laric (1981); David LaChapelle (1963); Nate Lowman (1979); Joanna Malinowska (1972); Michael Murphy; Rashaad Newsome (1979); Michael Rakowitz (1973); Jay Rosenblatt; Martha Rosler (1943); Andrés Serrano (1950); Jeff Sonhouse (1968); Kimsooja (1957); Jim Shaw (1952); Piotr Uklański (1968); Jordan Wolfson (1980); Shannon Taggart (1975); Bill Viola (1951 - 2024); [Nora Ligorano & Marshall Reese] Ligorano & Reese;

Maria Brewińska;

Association for Visual Arts - AVA S May 2013 - Jun 2013 Chattanooga (1) +0

N/A

Association for Visual Arts - AVA, United States

Chattanooga, United States

Michael Murphy;

The Power Plant G Dec 2009 - Mar 2010 Toronto - ON (244) +0Reckitt, Helena (Curator)   +0

N/A

The Power Plant, Canada

Toronto - ON, Canada

Valérie Blass (1967); James Carl (1960); Liz Magor (1948); Luanne Martineau (1970); Tricia Middleton; Gareth Moore; Michael Murphy; Kerri Reid; Brendan Lee Satish Tang (1975); Kara Uzelman; Rhonda Weppler; Trevor Mahovsky;

Helena Reckitt;

The Gallery of Functional Art S Jan 2000 - Dec 2000 Santa Monica (1) +0

N/A

The Gallery of Functional Art, United States

Santa Monica, United States

Derek S.

Davis; Michael Dekel; Rainer Facklam; Daryl Leo Flynn; Paul Freundt; Floyd Gompf; Linnea Gits; Bill Hayes; Thomas Jameson; Rick Ladd; William Matthews; Robert Meier; MFA / Eronga; Michael Murphy; Richard Oginz; Maria Clara Pineyro; Joan Robey; David Rudolph; Daniel Sadler; Floyd Shaman; Ivan Shvarts; Roland Simmons; Joseph Somers; Joel Stearns; André St-Cyr; F.

L. Wall; Steven White; Gace Zabriskie; Bruce Gray (1956);

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Guerra de la Paz (GdlP) is a collaboration between Miami-based, Cuban-born artists Alain Guerra and Neraldo de la Paz. Over the past two decades, GdlP has transformed the castoffs from our collective wardrobe into poetic works that deliver powerful political and environmental messages.

They explore the expressive qualities of discarded textiles, a journey that has produced an impressive array of dynamic sculptures and tactile installations. In works such as “Atomic,” they create forms that allude to dire consequences if humanity remains on a path of relentless consumption and disposal. In addition to creating representational forms, GdlP utilizes masses of material to evoke the burdens of excessive consumption and oppression.